Iconic Turns: Nation and Religion in Eastern European Cinema since 1989Liliya Berezhnaya, Christian Schmitt BRILL, 2013 M06 1 - 270 pages Collection of documents from a section of the World Council of Churches Archives, dealing with Germany and fifteen other countries during the period 1932-1957. Documents include: newspapers, press clippings, press releases, telegrams, correspondence, minutes, manuscripts and personal notes. The collection also includes reports on the situation of the Jews in several European countries, as well as correspondence and personal letters of such notable individuals as Dietrich Bonhoeffer, George Bell, Hans Schönfeld, Karl Barth, James McDonald, Georges Casalis, Adolf Freudenberg, Martin Niemöller, Otto Dibelius, Gerhart Riegner, Marc Boegner, and Willem Adolf Visser 't Hooft. The archives document not only the issues and events of the War, but also the beginning years of the World Council of Churches. |
Contents
Introduction
| 1 |
A Historical Survey | 33 |
Part One Institutional Powers
| 63 |
The Russian Orthodox Church and Patriotic Culture in the 2000s
| 65 |
Sacralizing National History and Nationalizing Religion | 81 |
State and Orthodox Church in Russian Religious Films | 99 |
Metropolitan Andrey Sheptytsky
in Oles Yanchuks Vladyka Andrey | 121 |
Part Two Sacred and Profane Images
| 137 |
The Godless Czechs? Cinema Religion
and Czech National Identity | 159 |
Immanence and
Transcendence in Györgi Pálfis Films | 183 |
Part Three Conflict Trauma and Memory
| 199 |
Post1989 Movies about PolishJewish Relations in Times of German
Extermination Politics | 201 |
Polish Documentary Films about the Smolensk Plane Crash
| 217 |
The Case
of PostYugoslav AntiWar Films | 237 |
251 | |
Heroes Saints and Martyrs
in Contemporary Russian Cinema | 139 |
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