A Course of Lectures on Dramatic Art and Literature |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
according action allowed already altogether ancients appears attempt beautiful become called carried character circumstances Comedy comic complete composition considered Corneille critics death display drama dramatic effect endeavours English equally Euripides example exhibited expression feeling followed foreign French frequently give Greek Greek tragedies hand human idea imagination imitation impression influence invention Italy language latter least less light living manner means measure merely mind moral nature never object observed once opinion original passion perfection perhaps persons picture pieces Plautus play poet poetical poetry possess present principles produce remains representation represented respect Roman rules scene seems sense Shakspeare Spanish speak species spectators spirit stage taste theatre theatrical thing tion tone tragedy tragic Translated true truth Unity verse vols whole writers
Popular passages
Page 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Page 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Page 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.