A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pages |
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Page v
... a Trilogy of Eschylus - His re- maining Works .. LECTURE VII . Life and Political Character of Sophocles - Character of his different Tragedies 1 4 7 17 30 43 52 66 78 96 vi CONTENTS . PAGE LECTURE VIII . Euripides ― His.
... a Trilogy of Eschylus - His re- maining Works .. LECTURE VII . Life and Political Character of Sophocles - Character of his different Tragedies 1 4 7 17 30 43 52 66 78 96 vi CONTENTS . PAGE LECTURE VIII . Euripides ― His.
Page vi
... Euripides LECTURE X. Character of the remaining Works of Euripides The Satirical Drama - Alexandrian Tragic Poets ... LECTURE XI . The Old Comedy proved to be completely a contrast to Tragedy— Parody Ideality of Comedy the reverse of ...
... Euripides LECTURE X. Character of the remaining Works of Euripides The Satirical Drama - Alexandrian Tragic Poets ... LECTURE XI . The Old Comedy proved to be completely a contrast to Tragedy— Parody Ideality of Comedy the reverse of ...
Page 10
... - self , Bernhardi , and Schilling . This discussion , which ex- tended from its original subject to Euripides and Dramatic Representation in general , was carried on in the Journal for AUGUSTUS WILLIAM VÓN SCHLEGEL . 11 the Polite World (
... - self , Bernhardi , and Schilling . This discussion , which ex- tended from its original subject to Euripides and Dramatic Representation in general , was carried on in the Journal for AUGUSTUS WILLIAM VÓN SCHLEGEL . 11 the Polite World (
Page 58
... Euripides , and perhaps also in the Edipus Tyrannus , the stage is filled from the very first , and presents a standing group which could not well have been assembled under the very eyes of the spectators . It must , besides , be ...
... Euripides , and perhaps also in the Edipus Tyrannus , the stage is filled from the very first , and presents a standing group which could not well have been assembled under the very eyes of the spectators . It must , besides , be ...
Page 67
... Euripides , have a happy and cheerful termination . But why does Tragedy select subjects so awfully repugnant . to the wishes and the wants of our sensuous nature ? This question has often been asked , and seldom satisfactorily an ...
... Euripides , have a happy and cheerful termination . But why does Tragedy select subjects so awfully repugnant . to the wishes and the wants of our sensuous nature ? This question has often been asked , and seldom satisfactorily an ...
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action actors admiration Æschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Popular passages
Page 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Page 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Page 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.