A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pages |
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Page v
... become acquainted with the Ancients without knowing Original Languages - Winkelmann LECTURE IV . Structure of the Stage among the Greeks - Their Acting - Use of Masks - False comparison of Ancient Tragedy to the Opera - Tra- gical Lyric ...
... become acquainted with the Ancients without knowing Original Languages - Winkelmann LECTURE IV . Structure of the Stage among the Greeks - Their Acting - Use of Masks - False comparison of Ancient Tragedy to the Opera - Tra- gical Lyric ...
Page 3
... become the interpreter of a work of this description to my countrymen , I am aware that I have incurred no slight degree of responsi- bility . How I have executed my task it is not for me to speak , but for the reader to judge . This ...
... become the interpreter of a work of this description to my countrymen , I am aware that I have incurred no slight degree of responsi- bility . How I have executed my task it is not for me to speak , but for the reader to judge . This ...
Page 5
... becoming have merited my gratitude for the assistance which they gave to my undertaking , and the en- couragement which they afforded me during its execution . The whole of my auditors rendered my labour extremely agreeable by their ...
... becoming have merited my gratitude for the assistance which they gave to my undertaking , and the en- couragement which they afforded me during its execution . The whole of my auditors rendered my labour extremely agreeable by their ...
Page 24
... become a mere surface without any internal substance . When this centre is disturbed , the whole system of the mental faculties and feelings takes a new shape . And this is what has actually taken place in modern Europe through the ...
... become a mere surface without any internal substance . When this centre is disturbed , the whole system of the mental faculties and feelings takes a new shape . And this is what has actually taken place in modern Europe through the ...
Page 25
... become more interwoven with all human feelings and sensibilities . The rough , but honest heroism of the northern conquerors , by its admixture with the sentiments of Christianity , gave rise to chivalry , of which the object was , by ...
... become more interwoven with all human feelings and sensibilities . The rough , but honest heroism of the northern conquerors , by its admixture with the sentiments of Christianity , gave rise to chivalry , of which the object was , by ...
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Common terms and phrases
action actors admiration Æschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Popular passages
Page 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Page 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Page 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.