A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pages |
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Page 7
... less distinguished brother , Frederick , the son of John Adolph Schlegel , a native of Saxony , and descended from a noble family . Holding a high appointment in the Lutheran church , Adolph Schlegel distinguished himself as a religious ...
... less distinguished brother , Frederick , the son of John Adolph Schlegel , a native of Saxony , and descended from a noble family . Holding a high appointment in the Lutheran church , Adolph Schlegel distinguished himself as a religious ...
Page 20
... less resemblance to the ancients , we must necessarily be unjust towards them , as Winkelmann undoubtedly has in the case of Raphael . As the poets for the most part had their share of scholarship , it gave rise to a curious struggle ...
... less resemblance to the ancients , we must necessarily be unjust towards them , as Winkelmann undoubtedly has in the case of Raphael . As the poets for the most part had their share of scholarship , it gave rise to a curious struggle ...
Page 28
... less earnest , have at times , especially of late , been made in tragedy ; for in comedy , the form under which it appears in Plautus and Terence has certainly been more generally prevalent . Of all studied imitations of the ancient ...
... less earnest , have at times , especially of late , been made in tragedy ; for in comedy , the form under which it appears in Plautus and Terence has certainly been more generally prevalent . Of all studied imitations of the ancient ...
Page 53
... less super- fluous * . The theatres of the Greeks were quite open above , and their dramas were always acted in day , and beneath the canopy of heaven . The Romans , indeed , at an after period , may have screened the audience , by an ...
... less super- fluous * . The theatres of the Greeks were quite open above , and their dramas were always acted in day , and beneath the canopy of heaven . The Romans , indeed , at an after period , may have screened the audience , by an ...
Page 55
... less depth . however , than breadth . The space thus enclosed was called the proscenium . The front of the logeum towards the or- chestra was ornamented with pilasters and small statues between them . The stage , erected on a foundation ...
... less depth . however , than breadth . The space thus enclosed was called the proscenium . The front of the logeum towards the or- chestra was ornamented with pilasters and small statues between them . The stage , erected on a foundation ...
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action actors admiration Æschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Popular passages
Page 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Page 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Page 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.