Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 213
... La favola d'Orfeo , set by Monteverdi , a work with greater emotional intensity , sharper contrast of mood , higher degree of seriousness , than its predecessors . Even a casual perusal of the work reveals striking similarities to ...
... La favola d'Orfeo , set by Monteverdi , a work with greater emotional intensity , sharper contrast of mood , higher degree of seriousness , than its predecessors . Even a casual perusal of the work reveals striking similarities to ...
Page 216
... La favola d'Orfeo , the result of common pastoral derivation , as , for example , the calling of flowers to cover Orpheus : Tu , ricca primavera , De ' fiori tesoriera , Di croco e d'amaranto , Di bianchi gigli e rose Tessi ad Orfeo il ...
... La favola d'Orfeo , the result of common pastoral derivation , as , for example , the calling of flowers to cover Orpheus : Tu , ricca primavera , De ' fiori tesoriera , Di croco e d'amaranto , Di bianchi gigli e rose Tessi ad Orfeo il ...
Page 276
... La favola d'Orfeo : libretto 1607 ; score in 1609 and 1615 . At the first performance each spectator was given a printed copy of the libretto . See Henry Prunières , Monteverdi , His Life and Work , tr . Marie D. Mackie ( London and ...
... La favola d'Orfeo : libretto 1607 ; score in 1609 and 1615 . At the first performance each spectator was given a printed copy of the libretto . See Henry Prunières , Monteverdi , His Life and Work , tr . Marie D. Mackie ( London and ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote