Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 58
... Neoplatonists , especially Ficino and Pico della Miran- dola , again brought the idea of ecstasy “ into Vogue . " It was essential to their philosophy of love , since their ultimate aim was ecstatic union with divine beauty by means of ...
... Neoplatonists , especially Ficino and Pico della Miran- dola , again brought the idea of ecstasy “ into Vogue . " It was essential to their philosophy of love , since their ultimate aim was ecstatic union with divine beauty by means of ...
Page 76
... Neoplatonists , whose ideas the churchmen who argued for music's elevating power so completely avoided . During the Renaissance , any subject connected with Platonism was swept into the current of Neoplatonic love philosophy , in which ...
... Neoplatonists , whose ideas the churchmen who argued for music's elevating power so completely avoided . During the Renaissance , any subject connected with Platonism was swept into the current of Neoplatonic love philosophy , in which ...
Page 83
... Neoplatonism , which had contributed so much to the revival of Platonic and Pythagorean ideas about music ... Neoplatonists concluded that beauty is incorporeal , a divine light shining through man - made objects . 25 Does ...
... Neoplatonism , which had contributed so much to the revival of Platonic and Pythagorean ideas about music ... Neoplatonists concluded that beauty is incorporeal , a divine light shining through man - made objects . 25 Does ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote