A poet's fame and fortune sure to gain, If long their beards, incurable their brain. 410 Ah! luckless I! who purge in spring my spleenElse sure the first of bards had Horace been. But shall I then in mad pursuit of fame, Resign my reason for a poet's name? No! let me sharpen others, as the hone Gives edge to razors, though itself has none. Let me the poet's worth and office show, And whence his true poetic riches flow; What forms his genius, and improves his vein; What well or ill becomes each different scene; How high the knowledge of his art ascends, And to what faults his ignorance extends. Good sense, the fountain of the muse's art, Let the strong page of Socrates impart, 415 420 430 The poet, who with nice discernment knows 425 To her loved Greeks the muse indulgent gave, 435 440 Our youth, proficients in a nobler art, 445 450 But when the rust of wealth pollutes the soul, To distant nations spread the writer's fame, 460 ჭია 470 Yet there are faults which we may well excuse, For oft the strings the intended sound refuse; Nor always will the bow, though famed for art, 475 But where the beauties more in number shine, I am not angry when a casual line (That with some trivial faults unequal flows) 480 Or as we laugh at him who constant brings With some good lines, I laugh, while I admire; If honest Homer slumber o'er his muse; 485 490 Poems like pictures are; some charm when nigh, Others at distance more delight your eye; That loves the shade, this tempts a stronger light, And challenges the critic's piercing sight: That gives us pleasure for a single view; And this, ten times repeated, still is new. 495 Although your father's precepts form your youth, And add experience to your taste of truth, 500 505 510 501 Messala Corvinus, who inherited the eloquence, as well as courage of his ancestors. A little before his death he so lost his memory, as to forget his own name. 503 Cascellius Aulus was a Roman knight, one of the great est lawyers of his time. But his having courage to preserve his liberty in an age of universal slavery, raises his character with greater honour than all his wit and learning. The triumvirs, Lepidus, Antony, and Augustus, could not compel him to draw up their edict of proscription; nor is it less glorious to Augus tus, that a man of such a spirit of freedom should be mentioned with applause by a poet of his court. So poems, form'd alone to yield delight, 516 The man who knows not how with art to wield The sportive weapons of the martial field, The bounding ball, round quoit, or whirling troque, Will not the laughter of the crowd provoke: But every desperate blockhead dares to writeWhy not? his fortune's large to make a knight; The man's freeborn; perhaps of gentle strain; His character and manners pure from stain. But thou, dear Piso, never tempt the muse, If wisdom's goddess shall her aid refuse; And when you write, let candid Metius hear, Or try your labours on your father's ear, 520 Or even on mine; but let them not come forth 525 Till the ninth ripening year mature their worth. You may correct what in your closet lies; If publish'd, it irrevocably flies. The wood-born race of men when Orpheus tamed, From acorns and from mutual blood reclaim'd, 530 This priest divine was fabled to assuage The tiger's fierceness, and the lion's rage. Thus rose the Theban wall; Amphion's lyre, And soothing voice the list'ning stones inspire. Poetic wisdom mark'd, with happy mean, Public and private; sacred and profane ; The wand'ring joys of lawless love suppress'd; With equal rights the wedded couple bless'd: Plann'd future towns, and instituted laws: 535 So verse became divine, and poets gain'd applause. To deeds of arms the martial spirit fired. 541 526 Cinna was nine years composing his poem called Smyrna; Isocrates was ten years correcting his Panegyric; but Horace does not positively limit the time, which depends on the judgment and labour of each author; for too much correction may weaken the force, and enervate the spirit of his work.-Dac. VOL. II.-H Monarchs were courted in Pierian strain, 545 550 556 565 A youth who hopes th' Olympic prize to gain, All arts must try, and every toil sustain; Th' extremes of heat and cold must often prove, And shun the weakening joys of wine and love. Who sings the Pythic song, first learn'd to raise Each note distinct, and a stern master please; 560 But now" Since I can write the true sublime, Curse catch the hindmost!" cries the man of rhyme. "What! in a science own myself a fool, Because, forsooth, I learn'd it not by rule?” As artful criers, at a public fair, Gather the passing crowd to buy their ware, So wealthy poets, when they deign to write, To all clear gains their flatterers invite. But if the feast of luxury they give, Bail a poor wretch, or from distress relieve, When the black fangs of law around him bend, How shall they know a flatterer from a friend? If e'er you make a present, or propose To grant a favour; while his bosom glows With grateful sentiments of joy and praise, Never, ah! never let him hear your lays; Loud shall he cry, "How elegant! how fine!" Turn pale with wonder at some happier line; Distil the civil dew from either eye, And leap, and beat the ground in ecstasy. As hirelings, paid for their funereal tear, Outweep the sorrows of a friend sincere, 570 575 580 |