Out of Line: Homeric Composition Beyond the Hexameter

Front Cover
Rowman & Littlefield, 1997 - 264 pages
Building upon the groundbreaking work of Milman Parry and Albert Lord, Out of Line presents a new theory of Homeric composition, focusing upon patterns that extend beyond the boundary of the line and the clause. Matthew Clark takes enjambment as a starting point, analyzing the techniques used by the poet to complete a line that begins with a runover. Clark proceeds to propose two levels of analysis, a "deep-structure" level, which describes the associations of words and ideas before they take metrical form, and a "surface-structure" level, which describes the words as they are employed on any particular occasion. Out of Line combines formulaic and metrical analysis, expanding the study of Homeric meter both in practice, by taking into account larger compositional structures such as entire scenes, and in theory, by using the results to test models of formulaic composition. This book is important for students and scholars of Homer, epic, and oral literature.
 

Contents

Definitions
19
II Embedded Runovers
28
III Orphan Runovers
33
IV Free and Pendant Runovers
38
V Typology and Runovers
40
VI Enjambment and Statistics
48
Modifications
51
II Variable Links in a Chain of Formulas
60
V Particle Systems in Bucolic Anticipations
128
VI Other Anticipations
142
VII Skewed Clauses
145
Larger Constructions
155
II Runovers and Anticipations as Hooks
165
III Composition with Small Formula Chains
176
IV The Composition of Larger Passages
185
Repetition
209

III A Formulaic Construction for Finding Someone
67
Free Runovers
77
II Semantic Motivation
84
III MetricalGrammatical Schemes
90
Anticipations
105
II Embedded Bucolic Anticipations
113
III Pendant Bucolic Anticipations
118
IV Orphan Bucolic Anticipations
124
II Repetition and Text
226
Problems of Translation
235
Bibliography
245
Index of Passages
251
General Index
259
About the Author
261
Copyright

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Page 3 - Oral versemaking by its speed must be chiefly carried on in an adding style. The Singer has not time for the nice balances and contrasts of unhurried thought: he must order his words in such a way that they leave him much freedom to end the sentence or draw it out as the story and the needs of the verse demand.
Page 11 - ... creative" processes of language. There is, in short, no longer a technical barrier to the full-scale study of generative grammars. Returning to the main theme, by a generative grammar I mean simply a system of rules that in some explicit and welldefined way assigns structural descriptions to sentences.

About the author (1997)

Matthew Clark is Assistant Professor in the Division of Humanities at York University. His scholarly articles have appeared in Phoenix; he is also the author of numerous works of fiction and verse.

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