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Page 41
Consequently Shakespeare , when drawing this character , could not have had Sir John Fastolfe in his mind . In support of this theory he referred to the line in almost the opening scene of “ Henry IV . , " where the Prince calls him ...
Consequently Shakespeare , when drawing this character , could not have had Sir John Fastolfe in his mind . In support of this theory he referred to the line in almost the opening scene of “ Henry IV . , " where the Prince calls him ...
Page 127
THE CHARACTER AND COURT OF HENRY II . BY TIE Rev. W. W. SHIRLEY Q. If any uncertainty hangs over the character of Henry II . it is due rather to the psychological difficulty of reconciling its apparent contradictions , and to the ...
THE CHARACTER AND COURT OF HENRY II . BY TIE Rev. W. W. SHIRLEY Q. If any uncertainty hangs over the character of Henry II . it is due rather to the psychological difficulty of reconciling its apparent contradictions , and to the ...
Page 311
The Roman character of the masonry was distinctly recognised , and a cavity filled with burnt wood and ashes was noticed as a restige of the purpose for which the structure was intended . These remains were forthwith unfortunately ...
The Roman character of the masonry was distinctly recognised , and a cavity filled with burnt wood and ashes was noticed as a restige of the purpose for which the structure was intended . These remains were forthwith unfortunately ...
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Contents
Gentlemans Magazine | 2 |
The late Exhibition of Renaissance and Medieval Antiquities at Florence 3 The late Exhibition of Renaissance and Medieval Antiquities at Florence | 14 |
Restoration of Dundry Church | 22 |
Copyright | |
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