Kampos: Cambridge Papers in Modern Greek, Issues 15-16Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2008 |
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Page 14
... concepts , and the verse itself is modernist free verse , which in effect is little different from prose , divided arbitrarily into very long lines . The central characters are only three : Theseus , Ariadne , Minos ; what joins them is ...
... concepts , and the verse itself is modernist free verse , which in effect is little different from prose , divided arbitrarily into very long lines . The central characters are only three : Theseus , Ariadne , Minos ; what joins them is ...
Page 20
... concept of the " Cretan glance " , back in 1943 , Kazantzakis had ascribed already to the Minoans what he called a " synthesis ” , something that lay midway between the ancient Hellenic and the " Oriental " . But there he had placed the ...
... concept of the " Cretan glance " , back in 1943 , Kazantzakis had ascribed already to the Minoans what he called a " synthesis ” , something that lay midway between the ancient Hellenic and the " Oriental " . But there he had placed the ...
Page 40
... concept " in five parts , was commissioned by the Municipal- ity of Heraklion , was performed at the Heraklion Summer Festival in 1985 ( and shown live on local TV ) , was recorded in October of the same year and was soon released as a ...
... concept " in five parts , was commissioned by the Municipal- ity of Heraklion , was performed at the Heraklion Summer Festival in 1985 ( and shown live on local TV ) , was recorded in October of the same year and was soon released as a ...
Contents
versions of the Minoan past from | 1 |
Erotokritos into music | 25 |
parallels | 45 |
Copyright | |
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