Kampos: Cambridge Papers in Modern Greek, Issues 15-16Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2008 |
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Page 28
... shifts the emphasis from the hero to the heroine , indicating that the composer and his librettist were aware of Kornaros's chief interest in Aretousa or , at least , that they were chiefly interested in her ; and , secondly , because ...
... shifts the emphasis from the hero to the heroine , indicating that the composer and his librettist were aware of Kornaros's chief interest in Aretousa or , at least , that they were chiefly interested in her ; and , secondly , because ...
Page 40
... shifts from tenor to the baritone Tassis Christoyannopoulos , Foteini Darra sings the part of Aretousa and Angeliki Kathariou that of Frosyni . The libretto , by the composer , with the assistance of Vassilis Nikolaidis , is a selected ...
... shifts from tenor to the baritone Tassis Christoyannopoulos , Foteini Darra sings the part of Aretousa and Angeliki Kathariou that of Frosyni . The libretto , by the composer , with the assistance of Vassilis Nikolaidis , is a selected ...
Contents
versions of the Minoan past from | 1 |
Erotokritos into music | 25 |
parallels | 45 |
Copyright | |
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