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could alone have induced her to confer the favour he enjoyed. Las Casas had dared to reply, that she would be taking useless trouble; that a man's ugliness did not always prevent him from pleasing, and that the King of Spain had too much experience to be ignorant that the caprices of a woman were inexplicable. Johnson may surely be allowed credit for as much knowledge of the sex as the King of Spain.

Others were simultaneously accusing her of marrying a young man to indulge a sensual inclination. The truth is, Piozzi was a few months older than herself, and was neither ugly nor disagreeable. Madame D'Arblay has been already quoted as to his personal appearance, and Miss Seward (October, 1787) writes:

"I am become acquainted with Mr. and Mrs. Piozzi. Her conversation is that bright wine of the intellects which has no lees. Dr. Johnson told me truth when he said she had more colloquial wit than most of our literary women; it is indeed a fountain of perpetual flow. But he did not tell me truth when he asserted that Piozzi was an ugly dog, without particular skill in his profession. Mr. Piozzi is a handsome man, in middle life, with gentle, pleasing, unaffected manners, and with very eminent skill in his profession. Though he has not a powerful or fine-toned voice, he sings with transcending grace and expression. I am charmed with his perfect expression on his instrument. Surely the finest sensibilities must vibrate through his frame, since they breathe so sweetly through his song."

The concluding sentence contains what Partridge

would call a non sequitur, for the finest musical sensibility may coexist with the most commonplace qualities. But the lady's evidence is clear on the essential point; and another passage from her letters may assist us in determining the precise nature of Johnson's feelings towards Mrs. Piozzi, and the extent to which his later language and conduct regarding her were influenced by pique :

"Love is the great softener of savage dispositions. Johnson had always a metaphysic passion for one princess or another: first, the rustic Lucy Porter, before he married her nauseous mother; next the handsome, but haughty, Molly Aston; next the sublimated, methodistic Hill Boothby, who read her bible in Hebrew; and lastly, the more charming Mrs. Thrale, with the beauty of the first, the learning of the second, and with more worth than a bushel of such sinners and such saints. It is ridiculously diverting to see the old elephant forsaking his nature before these princesses:

"To make them mirth, use all his might, and writhe,
His mighty form disporting.'

"This last and long-enduring passion for Mrs. Thrale was, however, composed perhaps of cupboard love, Platonic love, and vanity tickled and gratified, from morn to night, by incessant homage. The two first ingredients are certainly oddly heterogeneous; but Johnson, in religion and politics, in love and in hatred, was composed of such opposite and contradictory materials, as never before met in the human mind. This

is the reason why folk are never weary of talking, reading, and writing about a man

"So various that he seem'd to be,

Not one, but all mankind's epitome.'

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After quoting the sentence printed in italics, the reviewer says: "On this hint Mr. Hayward enlarges, nothing loth." I quoted the entire letter without a word of comment, and what is given as my "enlarging" is an olla podrida of sentences torn from the context in three different and unconnected passages of this Introduction. The only one of them which has any bearing on the point shews, though garbled, that, in attributing motives, I distinguished between Johnson and his set.

Having thus laid the ground for fixing on me opinions I had nowhere professed, the reviewer asks, "Had Mr. Hayward, when he passed such slighting judgment on the motives of the venerable sage who awes us still, no fear before his eyes of the anathema aimed by Carlyle at Croker for similar disparagement.? • As neediness, and greediness, and vain glory are the chief qualities of most men, so no man, not even a Johnson, acts, or can think of acting, on any other principle. Whatever, therefore, cannot be referred to the two former categories, Need and Greed, is without scruple ranged under the latter.'"*

This style of criticism is as loose as it is unjust; for

VOL. I.

* Edinb. Review, No. 230, p. 511.

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one main ingredient in Miss Seward's mixture is Platonic love, which cannot be referred to either of the three categories. Her error lay in not adding a fourth ingredient, the admiration which Johnson undoubtedly felt for the admitted good qualities of Mrs. Thrale. But the lady was nearer the truth than the reviewer, when he proceeds in this strain:

"We take an entirely different view at once of the character and the feelings of Johnson. Rude, uncouth, arrogant as he was spoilt as he was, which is far worse, by flattery and toadying and the silly homage of inferior worshippers-selfish as he was in his eagerness for small enjoyments and disregard of small attentions

that which lay at the very bottom of his character, that which constitutes the great source of his power in life, and connects him after death with the hearts of all of us, is his spirit of imaginative romance. He was romantic in almost all things-in politics, in religion, in his musings on the supernatural world, in friendship for men, and in love for women."

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"Such was his fancied 'padrona,' his mistress,' his 'Thralia dulcis,' a compound of the bright lady of fashion and the ideal Urania who rapt his soul into spheres of perfection."

Imaginative romance in politics, in religion, and in musings on the supernatural world, is here only another term for prejudice, intolerance, bigotry, and credulity -for rabid Toryism, High Church doctrines verging on Romanism, and a confirmed belief in ghosts. Im

aginative romance in love and friendship is an elevating, softening, and refining influence, which, especially when it forms the basis of character, cannot co-exist with habitual rudeness, uncouthness, arrogance, love of toadying, selfishness, and disregard of what Johnson himself called the minor morals. Equally heterogeneous is the "compound of the bright lady of fashion and the ideal Urania." A goddess in crinoline would be a semi-mundane creature at best; and the image unluckily suggests that Johnson was unphilosophically, not to say vulgarly, fond of rank, fashion, and their appendages.

His imagination, far from being of the richest or highest kind, was insufficient for the attainment of dramatic excellence, was insufficient even for the nobler parts of criticism. Nor had he much to boast of in the way of delicacy of perception or sensibility. His strength lay in his understanding; his most powerful weapon was argument: his grandest quality was his good sense.

Thurlow, speaking of the choice of a successor to Lord Mansfield, said, "I hesitated long between the intemperance of Kenyon, and the corruption of Buller; not but what there was a d-d deal of corruption in Kenyon's intemperance, and a d-d deal of intemperance in Buller's corruption." Just so, we may hesitate long between the romance and the worldliness of Johnson, not but what there was a d- -d deal of romance in his worldliness, and a dworldliness in his romance.

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