Ethics, Theory and the NovelCambridge University Press, 27. lis 1994. - Broj stranica: 218 The virtual suppression of explicit ethical and evaluative discourse by current literary theory can be seen as the momentary triumph of a sceptical post Enlightenment reflective tradition over others vital to a full account of human and literary worth. In Ethics, Theory and the Novel, David Parker brings together recent developments in moral philosophy and literary theory. |
Sadržaj
the return of the repressed | 7 |
A new turn toward the ethical | 32 |
The judgmental unconscious | 43 |
The libidinal unconscious | 53 |
Middlemarch | 77 |
Forgetting and disorientation in Anna Karenina | 107 |
Two ideas of innocence in The white peacock | 126 |
Women in love | 145 |
the teller and the tale | 171 |
Notes | 199 |
| 211 | |
Ostala izdanja - Prikaži sve
Uobičajeni izrazi i fraze
Alasdair MacIntyre Anna Karenina Anna's argues argument Bernard Williams binary Birkin called canonical Casaubon centre chapter characters Charles Taylor Clifford conception Connie Connie's consciousness continuous crucial culture Cyril D. H. Lawrence deconstruction distinctions Dorothea especially ethical criticism ethical unconscious evaluative discourse example feeling George Eliot Gerald Gudrun heart human ideology important impulses innocence interest intuitions judgmental Kantian Karenin kind Koznyshev Lady Chatterley's Lover Lawrence Lawrence's Lettie Levin literary theory live looked MacIntyre Martha Nussbaum means Middlemarch Millett mind moral philosophy narrative novel Nussbaum Parkin partly passage Pharisees political possibility post-structuralism precisely question reading realisation reflection repressed resistance response Richard Rorty Rorty seems sense sexual significant simply social sort spontaneity story suggests suppressed things thinking Thomas Nagel thought Tolstoy Tolstoy's tradition truth University Press Ursula Varenka vision vocabulary Vronsky White Peacock whole woman Women in Love