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LANGTON AND BEAUCLERC.

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the same time it is not to be forgotten, that these rakes were fine gentlemen and men of birth; representatives, in some respect, of the license assumed by authority. Beauclerc, however, like Hervey, had a taste for better things than he practised, and could love scrupulous men. Boswell has given an interesting account of his first intimacy with Johnson. Langton and Beauclerc had become intimate at Oxford. "Their opinions and mode of life," we are told, were so different, that it seemed utterly impossible they should at all agree;" but Beauclerc "had so ardent a love of literature, so acute an understanding, such elegance of manners, and so well discerned the excellent qualities of Mr. Langton, a gentleman eminent not only for worth and learning, but for an inexhaustible fund of entertaining conversation, that they became intimate friends."

"Johnson, soon after this acquaintance began, passed a considerable tine at Oxford. He at first thought it strange that Langton should associate so much with one who had the character of being loose, both in his principles and practice, but by degrees, he himself was fascinated. Mr. Beauclerc's being of the St. Albans family, and having, in some particulars, a resemblance to Charles the Second, contributed, in Johnson's imagination, to throw a lustre upon his other qualities; and, in a short time, the moral, pious Johnson, and the gay, dissipated Beauclerc were companions. What a coalition!' said Garrick, when he heard of this: 'I shall have my old friend to bail out of the round-house.' But I can bear testimony that it was a very agreeable association. Beauclerc was too polite, and valued learning and wit too much, to offend Johnson by sallies of infidelity or licentiousness; and Johnson delighted in the good qualities of Beauclerc, and hoped to correct the evil. Innumerable were the scenes in which Johnson was amused by these young men. clerc could take more liberty with him than any body with whom I ever saw him; but, on the other hand, Beauclerc was not spared by his respectable companion, when reproof was proper. Beauclerc had such a propensity to satire, that at one time, Johnson said to him, "You never open your mouth but with intention to give pain, and you have often given me pain, not from the power of what you said, but from seeing your intention.' At another time, applying to him, with a slight alteration, a line of Pope, he said—

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Thy love of folly, and thy scorn of fools'— Every thing thou dost shows the one, and every thing thou say'st the other.' At another time he said to him, Thy body is all vice, and thy mind all virtue.' Beauclerc not seeming to relish the compliment, Johnson said, 'Nay, sir, Alexander the Great, marching in triumph into Babylon, could not have desired to have had more said to him.'"*

The streets in the Adelphi-John, Robert, Adam, &c.—are

* Boswell, vol. i., p. 225.

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STREET NOMENCLATURE.

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named from the builders. In this instance, the names are well bestowed; but the "fond attempt," on the part of bricklayers and builders in general to give a "deathless lot" to their names in the same way, is very idle. Wherever we go nowa-days, among the new buildings, especially in the suburbs, we meet with names that nobody knows anything about, nor ever will know. Probably, as knowledge increases, this custom will go out. With this exception, streets in the British metropolis have hitherto been named after royalty or nobility, or from local circumstances, or from saints. Saints went out with popery. The reader of the Spectator will recollect the dilemma which Sir Roger de Coverley underwent in his youth, from not knowing whether to ask for Marylebone or Saint Marylebone. In Paris they have streets named after men of letters. There is the Quai de Voltaire; and one of the most frequented thoroughfares in that metropolis, for it contains the Post-Office, is Jean Jacques Rousseau Street. It is not unlikely that a similar custom will take place in England before long. A nobleman, eminent for his zeal in behalf of the advancement of society, has called a road in his neighbourhood, Addison Road.*

In John Street, Adelphi, are the rooms of the Society for the Encouragement of Arts, Manufactures, and Commerce. This society originated in 1753, at the suggestion of Mr. Shipley, an artist, and, as the title implies, is very miscellaneous in its object; perhaps too much so to make sufficient impression. It gives rewards for discoveries of all sorts, and for performances of youth in the fine arts. It is, however, one of those combinations of zealous and intelligent men, which have marked the progress of latter times, and which will have an incalculable effect on posterity. Its great room is adorned with the celebrated pictures of Mr. Barry, which he painted in order to refute the opinion that Englishmen had no genius for the higher department of art, no love of music, &c., nor a proper relish of anything, 66 even life itself." The statement of these positions was not so discreet as the paintings were clever. Mr. Barry was one of those impatient, self-willed men who, with a portion of genuine power, think it greater than it is, and will not take the pains to make themselves masters of their own weapons. His pictures in the Adelphi, which are illustrations of the progress of society, are striking, ingenious, with great elegance here and there, and now and then an * Near Holland House, Kensington. Addison died in that house.

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evidence of the highest feeling; as in the awful pity of the retributive angel who presides over the downfall of the wicked and tyrannical. But the colouring is bad and "foxy;" his Elysium is deformed with the heterogeneous dresses of all ages, William Penn talking in a wig and hat with Lycurgus, &c. (which, however philosophically such things might be regarded in another world, are not fitly presented to the eye in this); and by way of disproving the bad taste of the English in music, he has put Dr. Burney in a coat and toupee, floating among the water nymphs! The consequence is, that although these pictures are, perhaps, the best ever exhibited together in England by one artist, they fall short of what he intended to establish by them, as far as England is concerned.

Between Adam Street and George Street, on the other side of the Strand, is Bedford Street, the site of an old mansion of the Earls and Dukes of Bedford.

With George Street commence the precincts of an ancient "Inn," or palace, originally belonging to the Bishops of Norwich; then to Charles Brandon, Duke of Suffolk; then to the Archbishops of York, from whom it was called York House; then to the Crown, who let it to Lord Chancellor Egerton and to Bacon; then to the Duke of Buckingham, the favourite, who rebuilt it with great magnificence, and at whose death it was let to the Earl of Northumberland; and finally to the second Duke of Buckingham, who pulled it down and converted it into the present streets and alleys, the names of which contain his designation at full length, even to the sign of the genitive case, for there is an "Of Alley:" so that we have George, Villiers, Duke, Of, Buckingham.

Brandon, Duke of Suffolk, was the man who, on his marriage with Henry VIII.'s sister, appeared at a tournament on a horse that had a cloth half frieze and half gold, with that touching motto

Cloth of gold, do not thou despise,

Though thou be matched with cloth of frize:

Cloth of frize, be not thou too bold,

Though thou be matched with cloth of gold.

Bacon belongs to Gray's Inn, and the second Duke of Buckingham to Wallingford House, where he chiefly resided (on the site of the present Admiralty): but the reader, who should go down Buckingham Street, and contemplate the spot which Inigo Jones and the trees have beautified, will not fail to be struck with the many different spirits that have

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WATER-GATE AT YORK STAIRS.

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passed through this spot-the romantic Suffolk; the correct Egerton; the earth-moving Bacon; the first Buckingham with a spirit equal to his fortunes; the second, witty but selfish, who lavished them away; and all the visitors, of so many different qualities, which these men must have had, crowding or calmly moving to the gate across the water, in quiet or in jollity, clients, philosophers, poets, courtiers, mistresses, gallant masques, the romance of Charles the First's reign, and the gaudy revelry of Charles II. A little spot remains, with a few trees, and a graceful piece of art, and the river flowing as calmly as meditation.

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The only vestige now remaining of the splendid mansion of the Buckinghams is the Water-Gate at the end of Buckingham Street, called York Stairs,* and built by Inigo Jones. It has

"York Stairs," says the author of the 'Critical Reviews of Public Buildings,' quoted in 'Brayley's London and Middlesex,' "form unquestionably the most perfect piece of building that does honour to Inigo Jones: it is planned in so exquisite a taste, formed of such equal and harmonious parts, and adorned with such proper and elegant decorations, that nothing can be censured or added. It is at once happy in its situation beyond comparison, and fancied in a style exactly suited to that situation. The rock-work, or rustic, can never be better introduced than in buildings by the side of water; and, indeed,

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been much admired, and must have admitted, in its time, the entrance of many extraordinary persons.

York Buildings affords us another name, not unworthy to be added to the most useful and delightful of these, Richard Steele, who lived here just before he retired into Wales. The place in his time was celebrated for a concert-room. We must not omit the termination of a curious dispute at the gate of York House, to which Pepys was a witness.

"30th (September 1661). This morning up by moonshine, at five o'clock," (here was one of the great secrets of the animal spirits of those times), "to Whitehall, to meet Mr. More at the Privy Seale, and there I heard of a fray between the two embassadors of Spaine and France, and that this day being the day of the entrance of an embassador from Sweeden, they intended to fight for the precedence. Our King, I heard, ordered that no Englishman should meddle in the business, but let them do what they would. And to that end, all the soldiers in town were in arms all the day long, and some of the train bands in the city, and a great bustle through the city all the day. Then we took coach (which was the business I came for) to Chelsey, to my Lord Privy Seale, and there got him to seal the business. Here I saw by daylight two very fine pictures in the gallery, that a little while ago I saw by night; and did also go all over the house, and found it to be the prettiest contrived house that ever I saw in my life. So back again; and at Whitehall light, and saw the soldiers and people running up and down the streets. So I went to the Spanish embassador's and the French, and there saw great preparations on both sides; but the French made the most noise and ranted most, but the other made no stir almost at all; so that I was afraid the other would have too great a conquest over them. Then to the wardrobe and dined there; and then abroad, and in Cheapside hear, that the Spanish hath got the best of it, and killed three of the French coachhorses and several men, and is gone through the city next to our King's coach; at which, it is strange to see how all the city did rejoice. And, indeed, we do naturally all love the Spanish and hate the French. But I, as I am in all things curious, presently got to the water side, and there took oars to Westminster Palace, and ran after them through all the dirt, and the streets full of people; till at last, in the Mews, I saw the Spanish coach go with fifty drawn swords at least to guard it, and our soldiers shouting for joy And so I followed the coach, and then met it at York House, where the embassador lies; and there it went in with great state. So then I went to the French house, where I observe still, that there is no men in the world of a more insolent spirit where they do well, nor before they begin a matter, and

it is a great question whether it ought to have been made use of anywhere else. On the side next the river appear the arms of the Villiers family; and on the north front is inscribed their motto: Fidei Coticula Crux, The Cross is the touch-stone of faith. On this side is a small terrace, planted with lime-trees; the whole supported by a rate raised upon the houses in the neighbouring streets; and being inclosed from the public, forms an agreeable promenade for the inhabitants."

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