of the Belvidere, at Vienna. In the centre is St. Jerome on a throne, with the donors, a man and woman, kneeling at his side; on the wings are figures of other saints. The sharp, cutting style, which appears in his early works, is here much softened; the colouring is warm and powerful; in the expression of gentleness and simplicity in the heads of some of the female saints he even surpasses his great scholar Albert Durer. Wohlgemuth was born at Nuremberg in 1434, and died in 1519.

Respecting his works, both as a painter and an engraver, see a condensed account in a note to the article "Michael Wohlgemuth," in the enlarged edition of Bryan's "Dictionary of Painters and Engravers."

ZAGEL, MARTIN, or MATTHIAS, a painter and engraver of Nuremberg, flourished about the latter part of the fifteenth century. As an engraver he has caused much discussion; as a painter, very little is recorded of him beyond a picture, supposed to be his work, in the gallery at Vienna. It is a Crucifixion with several saints, commended for its simplicity and excellence, and classed with the works of Wohlgemuth.

ZEITBLOOM, BARTHOLOMEW, is supposed to have been a scholar of Frederick Herlin, the Elder, of Nordlingen, and flourished in the fifteenth century. Many pictures in private collections, and in some old chapels in Germany, are attributed to him. Nothing authentic is recorded of his life, but the pictures supposed to be by him are spoken of in terms that imply a greater share of artistic talent than is to be found in many of his contemporaries. Kugler says "his works are distinguished by a conscious, and in some cases a successful, effort to conceive his subject with dignity, and to express it with force; whilst he adheres faithfully to nature in the imitation of his model. His forms are certainly awkward; the arms and legs meagre and stiff, but so much the more striking is the beauty of the heads, with their expression of mild serenity and repose. His colouring too is brilliant and powerful; the carnations, with all his softness of expression, are firm and vigorous in tone." His works seem to have exercised considerable influence on the artists of his time, and also on others that immediately followed. Two pictures attributed to Zeitbloom are in the Pinacothek at Munich.

INDEX.

Names commencing with Van, Van de, or Vander, are in most cases placed
independently of such prefix.

Appelman, Barent, or Bernard, 124. Beeldemaker, Jan, 186, 197.

Berg, Matthias vander, 49.
Bergen, Theodore or Dirck van, 25.
Bergen, Nicholas van, 243.
Berkheyde, or Berkheyden, Gerard,
37, 237, 280.

Berkheyde, or Berkheyden, Job,
158, 268.

Bernaerts, Nicaise, 199.
Berré, Jean Baptiste, 199.
Besschey, or Bischey, J. F., 49, 286.
Beuckelaer, Joachim, 206, 268.
Biltius, Francis, 207.
Biset, Charles Emanuel, 243.
Blankhof, Jan Teunisz, 228.

Bles, Henri de, 356.
Blicke, Daniel, 237.
Blinkvliet, M., 141.
Block, Jacob Roger, 158.

Blocklandt, Anthony de Montfort,
286.

Bloemart, Abraham, 286.

Bout and Bodewyns, 142: see also
Baut.

Brackenburgh, Renier, 61, 243.
Bramer, Leonard, 110, 170, 207,
287.

Brandt, Albert Jonas, 213.
Brauwer, or Brouwer, Adrian, 58.
Breda, Jan van, 34.

Breda, Alexander or Peter, 269.
Bredael, Peter van, 158.
Breenberg, Bartholomew, 125, 158.
Brekelencamp, Quirinus, 244.
Breughel, Abraham, 213.

Breughel, Jan, 142, 159, 170, 213.
Breughel, Jan Baptiste, (called
Meleager,) 214.

Breughel, Peter, (the elder,) 278.
Breughel, Peter, (the younger,) 278.
Breydel, Charles, 159, 179.
Breydel, Francis, 244.
Bril, Paul, 125.

Bloemen, Jan Francis van, (called Brizé, Cornelius, 207.

Bockhorst, Jan van, (called Langen Bruggen, J. Ter, 214.

Blondeel, Lansloot, 158, 170.

Bloot, Peter, 268.

Blyhooft, J., 79.

Jan,) 200, 287, 320.

326.

Bokshoven, Josse, 326.

Bol, Ferdinand, 107.

Bol, Hans, 158.

Brussel, Paul Theodore, or Her-

mann, 96, 214.

Bruxelles, Roger de, 398.

Bruyn, Bartholomew, 357.

Boeyrmans, Theodore, 48, 122, 287, Bunnick, Jan van, 159.

Boon, Daniel, 269.

Boonen, Arnold, 82, 326.
Borcht, Henri vanden, 212.
Borsum, Adam van, 22, 31, 141.
Bos, Gaspar vander, 228.
Bos, Louis Janssen, 213, 357.
Bos, or Bosche, Jerome, 278, 356.
Bosch, or Bossche, Balthazar, 243.
Bosch, Jacques vander, 213.
Boschaert, Nicholas, 213.
Bosschaert, Thomas Willeborts, 122.
Both, Jan and Andrew, 15, 141.
Bouman, P., 158.

Burgkmair, Hans, 357.

Buytenweg, William de, 159, 244.
Bylert, Jan, 244.

Cabel, or Kabel, Adrian vander, 143.
Call, Jan van, 126.

Camphuysen, Theodore. Raphael,
22, 143.

Capelle, Jan vander, 100, 175.
Carpentero, Jean Carol, 143.
Carré, Francis, 269.
Carré, Michael, 13, 143.
Cassembroodt, Abraham, 228.
Casteels, Peter, 203.
Chalon, Louis, 159.
Chatel, Francis du, 54.
Christophsen, Peter, 358.

203, 238.

Dalens, Thierry or Dirck van, 19, Ekels, Jan, (the younger,) 246, 280.

Dam, Anthony van, 229.

Dam, Gautier van, 229.

Dekker, or Decker, 4, 7, 126.

Denys, Jacques, 289.

Delmont, Deodato, 289.

Deyster, Louis, 289.

Dicht, T., 207.

289.

Elliger, Ottomar, 215.

Elsheimer, Adam, 160, 171.

Elst, Peter vander: see Verhelst.
Elzevier, Arnold, 171.

Emenraet: see Immenraet.

Engel, or Angelo, Sam, 74, 86.
Engelbrechtsen, Cornelius, 364.
Ervest, Jacob, 230.

Diepenbeck, Abraham van, 46, 120, Es, Jacques van, 207.

Diepraam, Abraham, 245.

Diest, Adrian van, 126.

Dietricy, Christian William Ernest,
18, 57, 111.
Dobson, William, 117.

Esselens, Jacob, 29, 127, 187, 230.
Everdingen, Albert van, 2.
Everdingen, Cæsar van, 290.
Eyck, Gaspar van, 179.

Eyck, Hubert and Jan van, 364.
Eyck, Margaret van, 366.

Gaal, or Gael, Barent, 36, 180, Hagelstein: see Thomann.

Giovanni da Fiesole, called, Il beato Heda, Guillaume Klaasz, 208.

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