A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account of Some of the Early German Masters, Connected with Those of Flanders and HollandH.G. Bohn, 1855 - 416 pages |
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Page viii
... attention directed to their scholars and imitators , he will be enabled to discriminate their differences from the models they followed , and be guarded against hastily adopting their productions as the works of the principals . Many of ...
... attention directed to their scholars and imitators , he will be enabled to discriminate their differences from the models they followed , and be guarded against hastily adopting their productions as the works of the principals . Many of ...
Page ix
... attention of the amateur , not only for their beauty of execution , but also for the peculiar characteristics of each , in order to avoid mistakes , induced by many similarities among them . Acknowledged connoisseurs have been ...
... attention of the amateur , not only for their beauty of execution , but also for the peculiar characteristics of each , in order to avoid mistakes , induced by many similarities among them . Acknowledged connoisseurs have been ...
Page xi
... attention of the amateur should be chiefly directed . By making himself well acquaint- ed with their works he obtains a standard by which all others may be estimated ; his eye is formed , and he readily perceives what is excellent or ...
... attention of the amateur should be chiefly directed . By making himself well acquaint- ed with their works he obtains a standard by which all others may be estimated ; his eye is formed , and he readily perceives what is excellent or ...
Page xvii
... attention of the spec- tator from the interest of the picture . AERIAL PERSPECTIVE . Aërial perspective , it is to be observed , is not subject , as linear perspective is , to the strictness of rules , rigidly demonstrated . It ...
... attention of the spec- tator from the interest of the picture . AERIAL PERSPECTIVE . Aërial perspective , it is to be observed , is not subject , as linear perspective is , to the strictness of rules , rigidly demonstrated . It ...
Page xviii
... attention to truth , to be violent and unnatural . Such is frequently the case in the fine landscapes of Rubens and Titian . It is only by a strict attention to nature that the artist can succeed in the repre- sentation of aërial ...
... attention to truth , to be violent and unnatural . Such is frequently the case in the fine landscapes of Rubens and Titian . It is only by a strict attention to nature that the artist can succeed in the repre- sentation of aërial ...
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admirable Adrian Albert Albert Cuyp Albert Durer altar-piece amateur Analogists animals artist attributed beauty Berchem born at Amsterdam born at Antwerp born at Haerlem born at Utrecht Bruges Brussels chiaroscuro churches colouring compositions Cuyp dead game died Dutch Dyck edition of Bryan's eminent England excellent execution Eyck finished Flemish Francis fruit and flowers Gallery Gerard Dou Hague Hans Hemling head of Principal Hemling Holland hunting Italian Italy JACOB Jan Asselyn Jan Steen Jan van Huysum Karel du Jardin landscapes and cattle manner master Metsu Mieris native numerous objects Ostade painted landscapes painted small painter Paul Potter penciling PETER Philip Wouwerman Poelemburg portrait painter Principal Painters Rembrandt represented resemblance Rome Ruisdael scenery scenes scholar of Rubens Scholars and Imitators small landscapes Smith's Catalogue Raisonné studied style subjects supposed talent taste Teniers tion Trans tures Utrecht Vander Velde views vols Wouwerman writers