A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account of Some of the Early German Masters, Connected with Those of Flanders and HollandH.G. Bohn, 1855 - 416 pages |
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Page xvi
... produced when the arts were emerging from a state of barbarism . The compact form of the work will render it convenient as a hand book to the amateur who visits galleries , where there are authentic specimens of the painters of Flanders ...
... produced when the arts were emerging from a state of barbarism . The compact form of the work will render it convenient as a hand book to the amateur who visits galleries , where there are authentic specimens of the painters of Flanders ...
Page xx
... producing one great and general effect ; whereas , if they were scattered and broken , the effect would be spotty and discordant . CARNATION . This word is used to signify flesh tints . CARTOONS . The designs prepared by painters ...
... producing one great and general effect ; whereas , if they were scattered and broken , the effect would be spotty and discordant . CARNATION . This word is used to signify flesh tints . CARTOONS . The designs prepared by painters ...
Page xxii
... produced by Photography , as now practised on paper instead of me- tallic substances , may be said to be in chiaroscuro . The French word Camaieu has the same meaning when applied to pictures painted in one colour . COMPOSITION . In the ...
... produced by Photography , as now practised on paper instead of me- tallic substances , may be said to be in chiaroscuro . The French word Camaieu has the same meaning when applied to pictures painted in one colour . COMPOSITION . In the ...
Page xxiv
... that the folds may correspond with the movement of the figure . In the higher walk of historical painting , the folds should be large and few , because the grandeur of the forms produces broad and simple masses of xxiv EXPLANATION OF.
... that the folds may correspond with the movement of the figure . In the higher walk of historical painting , the folds should be large and few , because the grandeur of the forms produces broad and simple masses of xxiv EXPLANATION OF.
Page xxv
... produces broad and simple masses of light and shadow , and it is always in the remembrance of the intelligent artist ... produced by want of talent , we have a striking proof in the example of Raffaelle , whose earliest works partake of ...
... produces broad and simple masses of light and shadow , and it is always in the remembrance of the intelligent artist ... produced by want of talent , we have a striking proof in the example of Raffaelle , whose earliest works partake of ...
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Common terms and phrases
admirable Adrian Albert Albert Cuyp Albert Durer altar-piece amateur Analogists animals artist attributed beauty Berchem born at Amsterdam born at Antwerp born at Haerlem born at Utrecht Bruges Brussels chiaroscuro churches colouring compositions Cuyp dead game died Dutch Dyck edition of Bryan's eminent England excellent execution Eyck finished Flemish Francis fruit and flowers Gallery Gerard Dou Hague Hans Hemling head of Principal Hemling Holland hunting Italian Italy JACOB Jan Asselyn Jan Steen Jan van Huysum Karel du Jardin landscapes and cattle manner master Metsu Mieris native numerous objects Ostade painted landscapes painted small painter Paul Potter penciling PETER Philip Wouwerman Poelemburg portrait painter Principal Painters Rembrandt represented resemblance Rome Ruisdael scenery scenes scholar of Rubens Scholars and Imitators small landscapes Smith's Catalogue Raisonné studied style subjects supposed talent taste Teniers tion Trans tures Utrecht Vander Velde views vols Wouwerman writers