A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account of Some of the Early German Masters, Connected with Those of Flanders and HollandH.G. Bohn, 1855 - 416 pages |
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Page ix
... seen skilful compositions , rich and harmonious colouring , and masterly execution , not excelled by the great- est historical painters . They are to be considered for their artistic qualities , disregarding in many instances their ...
... seen skilful compositions , rich and harmonious colouring , and masterly execution , not excelled by the great- est historical painters . They are to be considered for their artistic qualities , disregarding in many instances their ...
Page x
... sea views , either storms or calms , that few or none can be ranked as copyists or imitators of others ; many of them are excellent in these representations , as may be seen in pictures by Ruisdael , Everdingen X INTRODUCTION .
... sea views , either storms or calms , that few or none can be ranked as copyists or imitators of others ; many of them are excellent in these representations , as may be seen in pictures by Ruisdael , Everdingen X INTRODUCTION .
Page xi
... seen in pictures by Ruisdael , Everdingen , De Vlieger , and Dubbels , none of them actual imitators of the two first named , and particularly some of the present time . Rembrandt van Ryn , Anthony van Dyck , and Bar- tholomew Vander ...
... seen in pictures by Ruisdael , Everdingen , De Vlieger , and Dubbels , none of them actual imitators of the two first named , and particularly some of the present time . Rembrandt van Ryn , Anthony van Dyck , and Bar- tholomew Vander ...
Page xxi
... seen at a considerable distance , and where the point of view requires that the scrupulous exactitude of form , expression , and even of colour , which are required in ordinary imitation , should be aggrandized according to their ...
... seen at a considerable distance , and where the point of view requires that the scrupulous exactitude of form , expression , and even of colour , which are required in ordinary imitation , should be aggrandized according to their ...
Page 25
... seen in his latter productions , though they may compete with some of his earlier . JACOB CONINGH , or KONING , a native of Haerlem in 1650 , studied under Adrian Van de Velde , and imitated his master's manner so exactly , not only in ...
... seen in his latter productions , though they may compete with some of his earlier . JACOB CONINGH , or KONING , a native of Haerlem in 1650 , studied under Adrian Van de Velde , and imitated his master's manner so exactly , not only in ...
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Common terms and phrases
admirable Adrian Albert Albert Cuyp Albert Durer altar-piece amateur Analogists animals artist attributed beauty Berchem born at Amsterdam born at Antwerp born at Haerlem born at Utrecht Bruges Brussels chiaroscuro churches colouring compositions Cuyp dead game died Dutch Dyck edition of Bryan's eminent England excellent execution Eyck finished Flemish Francis fruit and flowers Gallery Gerard Dou Hague Hans Hemling head of Principal Hemling Holland hunting Italian Italy JACOB Jan Asselyn Jan Steen Jan van Huysum Karel du Jardin landscapes and cattle manner master Metsu Mieris native numerous objects Ostade painted landscapes painted small painter Paul Potter penciling PETER Philip Wouwerman Poelemburg portrait painter Principal Painters Rembrandt represented resemblance Rome Ruisdael scenery scenes scholar of Rubens Scholars and Imitators small landscapes Smith's Catalogue Raisonné studied style subjects supposed talent taste Teniers tion Trans tures Utrecht Vander Velde views vols Wouwerman writers