Essays Aesthetical and Philosophical; Including the Dissertation on the "Connexion Between the Animal and Spiritual in Man." Newly Translated from the GermanG. Bell, 1875 - 435 pages |
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Page 224
... impression . We learn or experience nothing in the beautiful object , but we perceive a change occasioned by it in our own condition , of which the impression produced is the expression . Accordingly our knowledge is not enlarged by ...
... impression . We learn or experience nothing in the beautiful object , but we perceive a change occasioned by it in our own condition , of which the impression produced is the expression . Accordingly our knowledge is not enlarged by ...
Page 250
... impression on us ; but a drunken driver , sailor , or carter , will only be a risible object . Jests that would be ... impression , which brings our passion into play . In other words , the low impression must be absorbed by a superior ...
... impression on us ; but a drunken driver , sailor , or carter , will only be a risible object . Jests that would be ... impression , which brings our passion into play . In other words , the low impression must be absorbed by a superior ...
Page 289
... impressions . Whether the form be lyric or epic , dramatic or descriptive , we can receive an impression either stronger or weaker , but if we remove what is connected with the nature of the subject , we shall always be affected in the ...
... impressions . Whether the form be lyric or epic , dramatic or descriptive , we can receive an impression either stronger or weaker , but if we remove what is connected with the nature of the subject , we shall always be affected in the ...
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Common terms and phrases
absolute Accordingly action activity æsthetic affection animal appearance beauty become character conception condition consequently contrary COVENT GARDEN determined dignity duty Edition Engravings eternal existence experience expression faculty Fcap feeling force freedom genius GEORGE BELL GEORGE CRUIKSHANK give Göthe grace Greek happiness harmony heart highest human nature idea ideal Iliad imagination impression impulsion inclination infinite instinct judgment Julius Cæsar kind Klopstock Laocoon liberty limits manifest manner matter means Memoir mind moral law movements necessary necessity never noble object ourselves P. L. SIMMONDS pain passion perfection person phænomena phænomenon philosophical physical play pleasure poetic poetry Portrait present principle pure racter Raphael reality reason relation satisfy Schiller seek sensation sensuous nature sentimental poet simplicity soul sphere spirit STANDARD LIBRARY sublime suffering taste things thought tion tragedy tragic Translated true truth understanding unity virtue vols whole Woodcuts world of sense