the difficulties and discouragements which in those days beset the path of an author, his friends in Ireland received accounts of his literary success and of the distinguished acquaintances he was making. This was enough to put the wise heads at Lissoy and Ballymahon in a ferment of conjectures. With the exaggerated notions of provincial relatives concerning the family great man in the metropolis, some of Goldsmith's poor kindred pictured him to themselves seated in high places, clothed in purple and fine linen, and hand and glove with the givers of gifts and dispensers of patronage. Accordingly, he was one day surprised at the sudden apparition, in his miserable lodging, of his younger brother Charles, a raw youth of twentyone, endowed with a double share of the family heedlessness, and who expected to be forthwith helped into some snug by-path to fortune by one or other of Oliver's great friends. Charles was sadly disconcerted on learning that, so far from being able to provide for others, his brother could scarcely take care of himself. He looked round with a rueful eye on the poet's quarters, and could not help expressing his surprise and disappointment at finding him no better off. "All in good time, my dear boy," replied poor Goldsmith, with infinite good humour; "I shall be richer by-andby. Addison, let me tell you, wrote his poem of the 'Campaign' in a garret in the Haymarket, three stories high, and you see I am not come to that yet, for I have only got to the second story." Charles Goldsmith did not remain long to embarrass his brother in London. With the same roving disposition and inconsiderate temper of Oliver, he suddenly departed in an humble capacity to seek his for tune in the West Indies, and nothing was heard of Kim for above thirty years, when, after having been given up as dead by his friends, he made his reappearance in England. Shortly after his departure, Goldsmith wrote a letter to his brother-in-law, Daniel Hodson, Esq., of which the following is an extract; it was partly intended, no doubt, to dissipate any further illusions concerning his fortunes which might float on the magnificent imagination of his friends in Ballymahon. "I suppose you desire to know my present situation. As there is nothing in it at which I should blush or which mankind could censure, I see no reason for making it a secret. In short, by a very little practice as a physician, and a very little reputation as a poet, I make a shift to live. Nothing is more apt to introduce us to the gates of the muses than poverty; but it were well if they only left us at the door. The mischief is, they sometimes choose to give us their company to the entertainment; and Want, instead of being gentleman usher, often turns master of the ceremonies. "Thus, upon learning I write, no doubt you imagine I starve; and the name of an author naturally reminds you of a garret. In this particular I do not think proper to undeceive my friends. But, whether I eat or starve, live in a first floor or four pairs of stairs high, I still remember them with ardour; nay, my very country comes in for a share of my affection. Unaccountable fondness for country, this maladie du pays, as the French call it! Unaccountable that he should still have an affection for a place, who never, when in it, received above common civility; who never brought anything out of it except his brogue and his blunders. Surely my affection is equally ridiculous with the Scotchman's, who refused to be cured of the itch, because it made him unco' thoughtful of his wife and bonny Inverary. "But now, to be serious: let me ask myself what gives me a wish to see Ireland again? The country is a fine one, perhaps? No. There is good company in Ireland? No. The conversation there is generally made up of a smutty toast or a bawdy song; the vivacity supported by some humble cousin, who had just folly enough to earn his dinner. Then, perhaps, there's more wit and learning among the Irish? Oh, Lord, no! There has been more money spent in the encouragement of the Padareen mare there one season, than given in rewards to learned men since the time of Usher. All their productions in learning amount to perhaps a translation, or a few tracts in divinity; and all their productions in wit to just nothing at all. Why the plague, then, so fond of Ireland? Then, all at once, because you, my dear friend, and a few more who are exceptions to the general picture, have a residence there. This it is that gives me all the pangs I feel in separation. I confess I carry this spirit sometimes to the souring of the pleasures I at present possess. If I go to the opera, where Signora Columba pours out all the mazes of melody, I sit and sigh for Lissoy fireside, and Johnny Armstrong's 'Last Good-night' from Peggy Golden. If I climb Hampstead Hill, than where nature never exhibited a more magnificent prospect, I confess it fine; but then I had rather be placed on the little mount before Lissoy gate, and there take in, to me, the most pleasing horizon in nature. "Before Charles came hither, my thoughts sometimes found refuge from severer studies among my friends in Ireland. I fancied strange revolutions at home; but I find it was the rapidity of my own motion that gave an imaginary one to objects really at rest. No alterations there. Some friends, he tells me, are still lean, but very rich; others very fat, but still very poor. Nay, all the news I hear of you is, that you sally out in visits among the neighbours, and sometimes make a migration from the blue bed to the brown. I could from my heart wish that you and she (Mrs. Hodson), and Lissoy and Ballymahon, and all of you, would fairly make a migration into Middlesex; though, upon second thoughts, this might be attended with a few inconveniences. Therefore, as the mountain will not come to Mohammed, why Mohammed shall go to the mountain; or, to speak plain English, as you cannot conveniently pay me a visit, if next summer I can contrive to be absent six weeks from London, I shall spend three of them among my friends in Ireland. But first, believe me, my design is purely to visit, and neither to cut a figure nor levy contributions; neither to excite envy nor solicit favour; in fact, my circumstances are adapted to neither. I am too poor to be gazed at, and too rich to need assistance." CHAPTER IX. Hackney authorship Thoughts of literary suicide Return to Peckham Oriental projects - Literary enterprise to raise funds Edward Wells FOR some time Goldsmith continued to write miscellaneously for reviews and other periodical publications, but without making any decided hit, to use a technical term. Indeed as yet he appeared destitute of the strong excitement of literary ambition, and wrote only on the spur of necessity and at the urgent importunity of his bookseller. His indolent and truant disposition, ever averse from labour and delighting in holiday, had to be scourged up to his task; still it was this very truant disposition which threw an unconscious charm over everything he wrote; bringing with it honeyed thoughts and pictured images which had sprung up in his mind in the sunny hours of idleness: these effusions, dashed off on compulsion in the exigency of the moment, were published anonymously; so that they made no collective impression on the public, and reflected no fame on the name of their author. In an essay published some time subsequently in the "Bee," Goldsmith adverts in his own humorous way, to his impatience at the tardiness with which his desultory and acknowledged essays crept into notice. "I was once induced," says he, "to show my indignation against the public by discontinuing my efforts to please; and was bravely resolved, like Raleigh, to vex them by burning my manuscripts in a passion. Upon reflection, however, I considered what set or |