The first Scene discovers a Wild Wood. BEFORE the starry threshold of Jove's court In regions mild of calm and serene air, Above the smoke and stir of this dim spot Which men call Earth, and, with low-thoughted care, 1 In the sphere assigned to them. Compare with Il Penseroso, line 88. 2 Encumbered. 10 "Pester" originally meant a clog for horses in a pas 66 ture," hence, in its verbal signification, to impede." 3 A. pound, pen, fold, or inclosure for confining stray cattle. 26 To lay their just hands on that golden key 1 To such my errand is; and, but for such, That, like to rich and various gems, inlay Which he, to grace his tributary gods, 6 By course commits to several government, And gives them leave to wear their sapphire crowns, The greatest and the best of all the main, He quarters to his blue-haired deities;8 20 1 "Yet some," etc. St. Peter is represented as carrying the golden key with which to unlock the gates of heaven (see Lycidas, line 110). Milton here means that there are some who by their virtuous lives strive to merit admittance into heaven. 2 "Ambrosial weeds," i.e., immortal garments. Ambrosia was the food of the gods. For “weeds,” see note on L'Allegro, line 120. 3 World. 4 The god of the sea and of all waters. His scepter was a three-pronged fork, or trident. 5" Took in by lot," etc. The sons of Saturn, after the dethronement of their father, divided the government of the world by lot among themselves. Jupiter (high Jove) obtained the heavens and the mainland; Neptune, the sea and its islands; and Pluto (nether Jove), the infernal regions. 6 Separate. 7 Great Britain. Neptune and "" Pos 8" 'Quarters to," etc., i.e., assigns to the deities of the sea. his subordinates are referred to in classical poetry as "green-haired.' sibly Milton adopted "blue-haired" as more fitly symbolizing the sea waves; perhaps, also, he had in mind the blue-stained Britons who fought with Cæsar. And all this tract 1 that fronts the falling sun Lies through the perplexed paths of this drear wood,6 1 Wales. 3 Great; much. 30 40 50 2 The Earl of Bridgewater (see Introduction, p. 6). 4 The Welsh. 5 The three children of the Earl of Bridgewater, who were now coming to Ludlow Castle on the occasion of their father's induction into office. 6 This is probably an allusion to the densely wooded region of Shropshire in the neighborhood of Ludlow Castle. 7 The god of wine and revelry. 8 Italian. The story is that on one occasion Tuscan pirates attempted to carry Bacchus to Italy to sell him as a slave. Suddenly the chains dropped from his limbs and he assumed the form of a lion. The ship stood still while vines grew up and entwined themselves round the mast and sails; and the pirates, in terror, leaped into the sea, where they were transformed into dolphins. 9 Exa, near the shore of Tuscany. Whoever tasted lost his upright shape, And downward fell into a groveling swine?) This Nymph, that gazed upon his clustering locks, Much like his father, but his mother more, 1 Whom therefore she brought up, and Comus 1 named: Roving the Celtic and Iberian fields,2 At last betakes him to this ominous wood, And, in thick shelter of black shades embowered, Offering to every weary traveler His orient liquor in a crystal glass, To quench the drouth of Phoebus ;3 which as they taste I shoot from heaven, to give him safe convoy, бо 70 80 1 This genealogy of Comus is purely the invention of Milton's fancy, and 3" Drouth," etc., i.e., the thirst caused by the sun's heat. the sun god, or personification of the sun. Phoebus was As now I do. But first I must put off Who, with his soft pipe and smooth-dittied song, Of hateful steps; I must be viewless now. 90 COMUS enters, with a charming-rod in one hand, his glass in the other; with him a rout of monsters, headed like sundry sorts of wild beasts, but otherwise like men and women, their apparel glistering.3 They come in making a riotous and unruly noise, with torches in their hands. Comus. The star 4 that bids the shepherd fold 5 And the gilded car of day His glowing axle doth allay In the steep Atlantic stream;6 And the slope sun his upward beam Of his chamber in the east.7 Meanwhile, welcome joy and feast, 100 1 The personification of the rainbow. It may be inferred that the Attendant Spirit's sky robes were of the colors of the rainbow. 6 " 'In the steep," etc., i.e., in the sloping Atlantic flood, where it curves below the western horizon. 7 46 'Pacing towards,” etc., i.e., returning towards his rising place in the east. |