Textual PracticeAlan Sinfield, Lindsay Smith Psychology Press, 1998 M04 9 - 208 pages Articles in this issue examine the split between national and popular interests through an analysis of Branagh's 'multicultural'Much Ado - 'a Shakespeare film for the world'; the problem of the 'popular' in the field of Cultural Studies; Virginia Woolf's life as an essayist in the light of Adorno's theory of the genre; anti-Semitism in Cocteau's version of La Belle et la Bete; the binary of difference in Neil Jordan's The Crying Game; and a reconsideration of Freud's castration complex. |
Contents
Articles | 1 |
Scott Cutler Shershow | 23 |
Elena Gualtieri | 49 |
Daniel Fischlin | 69 |
John Hill | 89 |
Reviews | 121 |
EllenRaïssa Jackson | 127 |
Maria Lauret | 140 |
Matthew Titolo | 163 |
This One 1 | 176 |
Martin McQuillan | 179 |
| 184 | |
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Adorno aesthetic analysis argues argument Beast Bernstein bête Bob Perelman Bowie Branagh Butler castration complex claim Cocteau concepts contemporary context critical critique Crying Game cultural cringe cultural studies deconstruction Derrida Dews difference disavowal discourse Don Pedro Dracula Eagleton English essay ethics example female Fergus fetishism fiction film film's Fredric Jameson Freud gender genre German Habermas hate speech human ibid ideal identity ideology intellectual Irish Jacques Derrida Jameson Jody Kenneth Branagh knowledge language literary literature logic London male Marginalization Marxist meaning metanarrative migration modern myth narrative object penis Perloff phallic philosophy poetry popular culture Post-Ality postcolonialism postmodern poststructuralism practices problem production psychoanalysis queer question radical reader reading relation Renaissance role Ron Silliman Routledge Scotland sexual Shakespeare significant Simpson social society structure suggests textual theoretical theorists theory thought tradition University Press vision Wittgenstein's Woolf writing