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the labour of above thirty years. He furnished all the materials of the Anacharsis, but Barthelemy's brother, who was employed in the king's library, was the redacteur of these materials.*

Our friends who are conversant with German literature, need not be informed by us, that Wieland wrote a work on this principle, called " Letters of Aristippus and his friends." He supposes Aristippus to have visited Greece in the time of Socrates. Barthelemy dwells more on history, geography, politics; Wieland on men, manners, and opinions. Barthelemy has more vivacity, Wieland more garrulity; Barthelemy more condensation, Wieland more completeness. Barthelemy aims at embellishment, Wieland at fidelity. A learned writer in the Philological Museum, (ii. p. 238) says " Barthelemy gives a striking display of his estrangement from every thing like a long acquaintance with the state of Greece at that period." And Bishop Thirlwall has justly observed, "Such works as Barthelemy's are chiefly interesting as showing the immense progress that philology has since made." The opinion of his predecessor is more favourable, who says" Barthelemy's work is a vast mine of information concerning the interesting people he describes; but for its very merit, it is important that its deficiencies should be exposed. Barthelemy had imbibed the political principles of the French philosophy, and was warm in the cause of ideal liberty; but though he passed much of his time in the house of a minister, the Duke of Choiseul, he seems to have been no politician: he certainly had no clear insight into the complicated politics of Greece. His fellow countryman Rollin, though no academician, shews a juster view of Grecian history," &c. Again, the same writer observes," Barthelemy is in general little careful to distinguish the different practices of distant ages, when the Grecian cities were in very different circumstances; and he quotes with far too much indifference the highest authorities and the lowest-Thucydides, Xenophon, Isocrates, and Hesychius, Isidore, Pollux, and Suidas."§ How Barthelemy's work was received in France, when it first appeared, may be best seen in Grimm's and Diderot's Correspondence, vol. ii. p. 433, &c. A short Biographical Account of Barthelemy may be found in Tweddell's Memoirs, p. 285, 4to. He died in the year 1794, in a quiet slumber, and the Horace he was reading, fell from his hand. As regards "Telemachus still stands alone,” we could indeed pass pleasantly enough many hours of a summer's day in recording what we have to say of our own, and what we could mention in the opinion of others, as to this celebrated work of a most interesting writer; but we shall content ourselves with observing that Voltaire says,"J'aimerai beaucoup mieux le roman de Telemaque, s'il n'etait pas tout en digressions et declamations." || Notwithstanding, however, this defect, which may be said scarcely to penetrate below the surface, if we go deeper we find much to applaud and even admire, both in the sagacity of the views of this illustrious man, and in the boldnesss with which they were announced particularly those connected with the subject, scarcely

* See some notice of him in the Malmesbury Correspondence, iii. 322.-Rev. + See on this work of Wieland, Taylor's Survey of German Poetry, p. ii. p. 491. -REV.

See Thirlwall's Greece, vol. i. p. 443.-REV.

$ See Mitford's History of Greece, vol. v. p. 2, and 302. See Voltaire's Correspondence Generale, tom. i. p. 99.

then studies, of political economy, of taxation, and of the importance of agriculture, and of the freedom of commerce. Of course there are grave defects and most imperfect knowledge to be found in a work which preceded Adam Smith by more than half a century. But the writer was far in advance of his age; and, as has been observed by one whose death all who knew him are now lamenting, "The maxims of government which the prelate presents are all of a mild and enlightened taste, and well fitted to contribute to the happiness of the community."* A French critic of much acuteness and eloquence has justly mentioned "Ce prelat immortel, Fenelon, qui parla du peuple à la cour, donna Telemaque à notre langue, reunit l'eloquence, la religion, et la philosophie; et fut simple à la fois dans son genie, dans sa pieté, et dans sa vertu.” One "decisive and distinguishing" mark of honour Fenelon received from the hands of his sovereign Louis XIV. who, at the death of the Duke of Burgundy, threw into the flames every scrap he could find of Fenelon's writing,-no slight testimony of his merit, and of their value.

PORTRAITS OF LORD AND LADY LE DESPENSER

IN THEIR CHANTRY CHAPEL IN TEWKESBURY CHURCH.

(With two Engravings.)

WE believe the earliest portraits which we have, in the ordinary form of moveable pictures, are two of King Richard the Second (one of which is at Wilton, and the other in the Jerusalem Chamber at Westminster), and a very rude but apparently original picture, which was sold at Strawberry Hill, representing Robert de Vere, Duke of Ireland, the favourite of the same monarch,-all, therefore, some forty years later than the paintings to which we now direct attention. It is often a question (though opinion generally leans towards the affirmative) how far monumental effigies, sepulchral brasses, and figures in stained glass were portraits of the persons represented. Probably they partook more or less of resemblance, according to the skill of the artist employed, and if contemporary, they are at least trustworthy testimonies to general appearance and appropriate costume. Under this impression, we have considered the figures before us to be well worthy of

publication, the more so as sepulchral figures of our medieval reigns are generally in military costume, whereas we have here a great lord, and a knight of the garter, in the dress of the peaceful court.

Edward lord le Despenser was the grandson of Hugh sometimes called Earl of Gloucester, who, with his father Hugh Earl of Winchester, contributed so materially to the misfortunes of the latter years of King Edward the Second. The unpopularity of the family occasioned by those events had been subsequently softened, if not effaced, by the exemplary conduct and eminent services of Hugh le Despenser, lord of Glamorgan, the next head of the family: but he died childless, and on his decease, which occurred on the 8th Feb. 1348-9, his successor was his nephew Edward, then a boy of twelve years of age.

Edward was the son of Edward, the second son of the younger Hugh, by Anne daughter of Henry lord Ferrers.

See Professor Smyth on the French Revolution, vol. i. On the merits and the defects of Barthelemy's work we may also refer our readers to the Retrospective Review, vol. xii. p. 254, &c.-REV.

†They have hitherto only been copied, very incorrectly, in Lysons's Gloucestershire Antiquities.

His wardship was obtained by Bartholomew lord Burghersh, the lord chamberlain to the king, (and one of the Founders of the Order of the Garter,) who, according to the usual practice of the times, acquired thereby a match for his daughter,—a match in this case not less suitable to the youth, as the lady became her father's sole heir.

In 1355, when Edward le Despenser was only seventeen, he attended the Black Prince in his expedition into Gascony, as did his next brother, Thomas; and Froissart describes "le jeune sire Despensier" as taking a prominent part in the battle of Poitiers. In 1357 he made proof of his age, and had livery of his lands; and in the same year he had summons to parliament as a Baron.

Upon the death of Henry duke of Lancaster, in 1360-1, Lord le Despenser was invested with the Garter, and placed in the stall of the royal chapel next to that of the Sovereign. In 1363 he was one of the knights appointed to receive the king of Cyprus at Dover, and to conduct him to the metropolis. In 1368 he was in the retinue of Lionel duke of Clarence, and present at the death of that prince in Piedmont. He afterwards served in several of the French campaigns,* but died whilst still in middle life, at his castle of Cardiff, on the 11th of Nov. 1375; on which occasion Froissart again eulogises him as a great baron and a good knight."

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By his will, which bears date at Llanblethian on the 6th of the same month, he bequeathed his body to be buried in the abbey of Tewkesbury, near his ancestors, in the south part of the choir. He gave to the abbat and convent a whole suit of his best vestments, two gilt chalices, and a hanap gilt; likewise the ewer wherein to put the body of Christ on Corpus Christi day, which was given him by the king of France.

The chantry chapel of the Holy

* See the particulars in the life of this nobleman given in Mr. Beltz's Memorials of the Order of the Garter, pp. 140-142.

Trinity, "in the south part" of the choir at Tewkesbury, had very probably been commenced in the lord's lifetime. If not, it was erected by his widow, who survived to the year 1409. By her will, dated in that year, she bequeathed her body to be buried in the same church, between those of Edward her husband and Thomas le Despenser her son, who had been restored to his ancestral dignity of Earl of Gloucester, but afterwards deprived, and beheaded at Bristol soon after the accession of Henry the Fourth. Seven of the most honest priests that could be found were to sing for her for the space of a whole year after her death, and moreover she willed that a thousand masses should be sung for her repose.

The remains of painting on the east wall of the chantry chapel are these. In the uppermost centre was depicted the Trinity, having on either side an angel waving incense. On either side again, towards the extremities of the wall, were the figures of the Lord and Lady (as here engraved), kneeling in adoration. Below, placed side by side, were paintings of the Resurrection and of Christ crowning the Church; these are now nearly obliterated.

The figures of the lord and lady are also somewhat defaced. The colours of the former figure may be thus briefly described. The outline is all red, the shading blue; the collar, his girdle, and buttons, are yellow, the flowers of his coat gold. The collar seems to belong to the coat, and to show beneath a waistcoat or shirt buttoned like the outer garment. The cuffs apparently fit to the wrists by an elastic web. The two cords which hang behind his head we are unable to explain.

The lady has a close under-dress of cloth of gold, the pattern of which (nearly worn off) slightly appears in the opening of her upper-dress under her arm. The lower part of her figure is concealed by the canopy of the next picture.

The height of the figures in the original paintings is about one foot.

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