Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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From inside the book
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Page 256
... Ben Jonson , Loves Triumph , lines 78-81 , Ben Jonson , ed . C. H. Herford , Percy and Evelyn Simpson ( Oxford , 1925-1952 ) , VII , 738 . 10. Plato , Timaeus , 36E - 37A , tr . Rev. R. G. Bury , Loeb ed . , pp . 73-109 ; Phineas ...
... Ben Jonson , Loves Triumph , lines 78-81 , Ben Jonson , ed . C. H. Herford , Percy and Evelyn Simpson ( Oxford , 1925-1952 ) , VII , 738 . 10. Plato , Timaeus , 36E - 37A , tr . Rev. R. G. Bury , Loeb ed . , pp . 73-109 ; Phineas ...
Page 265
... Ben Jonson , Newes from the New World Discover'd in the Moone , lines 97-98 , 193-210 , in Ben Jonson , ed . C. H. Herford , Percy and Evelyn Simpson ( Oxford , 1925–1952 ) , VII , 516 , 519 . 43. Jonson , Mercurie Vindicated from ...
... Ben Jonson , Newes from the New World Discover'd in the Moone , lines 97-98 , 193-210 , in Ben Jonson , ed . C. H. Herford , Percy and Evelyn Simpson ( Oxford , 1925–1952 ) , VII , 516 , 519 . 43. Jonson , Mercurie Vindicated from ...
Page 278
... Ben Jonson used a chorus in his tragedy , Catiline , which was not a popular success , but " in the popular drama it never struck root , and the occasional introduction of a ' Chorus ' illustrates only the Elizabethan ingenuity in ...
... Ben Jonson used a chorus in his tragedy , Catiline , which was not a popular success , but " in the popular drama it never struck root , and the occasional introduction of a ' Chorus ' illustrates only the Elizabethan ingenuity in ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote