Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
|
From inside the book
Results 1-3 of 6
Page 175
... Henry Lawes ( the only composer whom he ever named ) for his setting , in monodic style , of Cartwright's imitation of Monteverdi's famous " Lamento " from the Arianna - Ariadne Deserted . The early sketches for Paradise Lost were ...
... Henry Lawes ( the only composer whom he ever named ) for his setting , in monodic style , of Cartwright's imitation of Monteverdi's famous " Lamento " from the Arianna - Ariadne Deserted . The early sketches for Paradise Lost were ...
Page 176
... Henry Lawes , was connected as composer or performer . He sang in Jonson's Chloridia in 1630 ; he had a part during the following year in Townshend's Albions Triumph and in his Tempe Restored . In 1633 he was active in the production of ...
... Henry Lawes , was connected as composer or performer . He sang in Jonson's Chloridia in 1630 ; he had a part during the following year in Townshend's Albions Triumph and in his Tempe Restored . In 1633 he was active in the production of ...
Page 273
... Henry and William Lawes . Both verses are reprinted in Willa McClung Evans , Henry Lawes ( New York and London , 1941 ) , pp . 110–111 , 182–183 . 7. The tractate " Of Education , " written at about this time , reflects genuine ...
... Henry and William Lawes . Both verses are reprinted in Willa McClung Evans , Henry Lawes ( New York and London , 1941 ) , pp . 110–111 , 182–183 . 7. The tractate " Of Education , " written at about this time , reflects genuine ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote