Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 180
... Rome in the early part of the seventeenth century , there is one to which Comus has peculiar similarity , La catena d'Adone , by Ottavio Tronsarelli and Domenico Mazzocchi , performed and printed in Rome in 1626. Not only is this ...
... Rome in the early part of the seventeenth century , there is one to which Comus has peculiar similarity , La catena d'Adone , by Ottavio Tronsarelli and Domenico Mazzocchi , performed and printed in Rome in 1626. Not only is this ...
Page 229
... Rome , states definitely that in the last part of 1638 and the first months of 1639 only this entertainment , presented at the end of Carnival season , could fit Milton's description . There are two contemporary accounts of the ...
... Rome , states definitely that in the last part of 1638 and the first months of 1639 only this entertainment , presented at the end of Carnival season , could fit Milton's description . There are two contemporary accounts of the ...
Page 281
... ( Rome , 1888 ) , pp . 25 ff . 27. A bibliography of Doni's works on music is given by Angelo Solerti , Le origini del melodramma ( Turin , 1903 ) , pp . 186 ff . He reprints excerpts from them , as well as from Pietro della Valle's ...
... ( Rome , 1888 ) , pp . 25 ff . 27. A bibliography of Doni's works on music is given by Angelo Solerti , Le origini del melodramma ( Turin , 1903 ) , pp . 186 ff . He reprints excerpts from them , as well as from Pietro della Valle's ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote