Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 212
... Stefano Landi ( 1619 ) . All these works were printed ( either as separate libretti or in musical score , or both ) at about this same time . There is every reason to examine them more closely . 15 While the Rinuccini and Chiabrera ...
... Stefano Landi ( 1619 ) . All these works were printed ( either as separate libretti or in musical score , or both ) at about this same time . There is every reason to examine them more closely . 15 While the Rinuccini and Chiabrera ...
Page 215
... Stefano Landi further strengthens the supposition that Milton was interested in the story of Orpheus and in the form of the musical A Musical Background for 66 215 “ Lycidas ”
... Stefano Landi further strengthens the supposition that Milton was interested in the story of Orpheus and in the form of the musical A Musical Background for 66 215 “ Lycidas ”
Page 276
... Stefano Landi , La morte d'Orfeo : in score 1619 and 1639. There is no record of a performance of La morte d'Orfeo . See Donald Jay Grout , A Short History of Opera ( New York , 1947 ) , p . 69n . See for bibliographical data Alfred ...
... Stefano Landi , La morte d'Orfeo : in score 1619 and 1639. There is no record of a performance of La morte d'Orfeo . See Donald Jay Grout , A Short History of Opera ( New York , 1947 ) , p . 69n . See for bibliographical data Alfred ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote