Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 55
... beauty , of the lover " who , when he sees beauty on earth , remembering the true beauty , feels his wings growing and longs to stretch them for an upward flight . " " Only the philosopher , however , has this winged soul , and in ...
... beauty , of the lover " who , when he sees beauty on earth , remembering the true beauty , feels his wings growing and longs to stretch them for an upward flight . " " Only the philosopher , however , has this winged soul , and in ...
Page 83
... Beauty first Excite . " 4 How then may music serve love ? Love , wrote the Neo- platonists , is desire for beauty . The innate creative impulse characteristic of love desires to produce beauty , but it desires always to return to divine ...
... Beauty first Excite . " 4 How then may music serve love ? Love , wrote the Neo- platonists , is desire for beauty . The innate creative impulse characteristic of love desires to produce beauty , but it desires always to return to divine ...
Page 89
... Beauty in a restrict accep- tion relates to a proportionable concord in visible things , as Harmony in audible . The desire of this Beauty is Love ; arising onely from one knowing faculty , the Sight . " Beauty in a restricted sense is ...
... Beauty in a restrict accep- tion relates to a proportionable concord in visible things , as Harmony in audible . The desire of this Beauty is Love ; arising onely from one knowing faculty , the Sight . " Beauty in a restricted sense is ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote