Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 87
Gretchen Ludke Finney. Musical sound ... conveys as if animated , the emotions and thoughts of the singer's of ... emotion to another , as legend relates.37 Music , as Ficino analyzed it , does not lead to elevation or to divine ...
Gretchen Ludke Finney. Musical sound ... conveys as if animated , the emotions and thoughts of the singer's of ... emotion to another , as legend relates.37 Music , as Ficino analyzed it , does not lead to elevation or to divine ...
Page 129
... emotion , he turned to writings of the great orators . ( Musician learned from orator , not orator from music . ) The objectives of the orator and of the singer were the same — to excite emotions . The " sole aim " of contrapuntal music ...
... emotion , he turned to writings of the great orators . ( Musician learned from orator , not orator from music . ) The objectives of the orator and of the singer were the same — to excite emotions . The " sole aim " of contrapuntal music ...
Page 155
... emotions . " " 46 These attempts at reconciliation had little effect . The as- sumption established by Ficino , that music , by motion of the air , moves the spirits , that , as Scaliger added , it rouses emo- tions independently of the ...
... emotions . " " 46 These attempts at reconciliation had little effect . The as- sumption established by Ficino , that music , by motion of the air , moves the spirits , that , as Scaliger added , it rouses emo- tions independently of the ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote