Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 199
... lines with the next five lines of the para- graph , especially with the last three of them : Who would not sing for Lycidas ? he knew Himself to sing , and build the lofty rhyme . He must not flote upon his watry bear Unwept , and ...
... lines with the next five lines of the para- graph , especially with the last three of them : Who would not sing for Lycidas ? he knew Himself to sing , and build the lofty rhyme . He must not flote upon his watry bear Unwept , and ...
Page 227
... line speeches rather than the longer five or ten lines , but Chiabrera , for example , although he does favor the three - line speech , has more speeches over three lines than under , none of one line . La favola d'Orfeo ( Mantua , 1607 ) ...
... line speeches rather than the longer five or ten lines , but Chiabrera , for example , although he does favor the three - line speech , has more speeches over three lines than under , none of one line . La favola d'Orfeo ( Mantua , 1607 ) ...
Page 265
... line 84 of the Pericles passage , but the latter seems to me ( as to many editors ) better suited to the context . 48. Milton , " Il Penseroso , " lines 85-88 ; Comus , lines 817 ff . , 554-561 . 49. John Donne , " The First Anniversary , " ...
... line 84 of the Pericles passage , but the latter seems to me ( as to many editors ) better suited to the context . 48. Milton , " Il Penseroso , " lines 85-88 ; Comus , lines 817 ff . , 554-561 . 49. John Donne , " The First Anniversary , " ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote