Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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From inside the book
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Page ix
... metaphysical speculations on the harmony of the universe , for it was widely taught in the Renaissance that the whole cosmos operates according to musical law . ' Musical speculation had effect , without doubt , on musical . composition ...
... metaphysical speculations on the harmony of the universe , for it was widely taught in the Renaissance that the whole cosmos operates according to musical law . ' Musical speculation had effect , without doubt , on musical . composition ...
Page xi
... metaphysical notions had waned , how- ever , other theories of the nature of sound and of its effects were gaining ascendance . Puritans attacked the belief in musical ecstasy . Neoplatonists questioned the beauty of music . Musical ...
... metaphysical notions had waned , how- ever , other theories of the nature of sound and of its effects were gaining ascendance . Puritans attacked the belief in musical ecstasy . Neoplatonists questioned the beauty of music . Musical ...
Page xii
... metaphysical and the scientific notions of that period had roots in earlier times ; metaphysical speculation persisted throughout the century while scientific theories were becom- ing established . Many of the references to literary ...
... metaphysical and the scientific notions of that period had roots in earlier times ; metaphysical speculation persisted throughout the century while scientific theories were becom- ing established . Many of the references to literary ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote