Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 86
... mind . In spite of his initial statements to the contrary in the De amore , he concluded finally , even there , that “ all love begins with sight . ” In a letter to Pellegrino de Gl'Agli ( although he paid tribute to the image of divine ...
... mind . In spite of his initial statements to the contrary in the De amore , he concluded finally , even there , that “ all love begins with sight . ” In a letter to Pellegrino de Gl'Agli ( although he paid tribute to the image of divine ...
Page 120
... mind , imagination , and heart of the performer , they " move the phantasy , affect the heart and penetrate into the deep recesses of the mind . " 52 Agrippa made a point of prefacing his repetition of this latter assertion by Ficino ...
... mind , imagination , and heart of the performer , they " move the phantasy , affect the heart and penetrate into the deep recesses of the mind . " 52 Agrippa made a point of prefacing his repetition of this latter assertion by Ficino ...
Page 152
... mind . It brings " to the tympanum of the ear a stimulus which the mind translates into sound . " " He wrote elsewhere : If the ears , the tongue , and the nostrils were taken away , the figure , the numbers , and the motions would ...
... mind . It brings " to the tympanum of the ear a stimulus which the mind translates into sound . " " He wrote elsewhere : If the ears , the tongue , and the nostrils were taken away , the figure , the numbers , and the motions would ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
6 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote