Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 130
Gretchen Ludke Finney. speech , discourse , reason , or soul . " The lute was thus no image of the cosmos . Those ... speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term " recitative ...
Gretchen Ludke Finney. speech , discourse , reason , or soul . " The lute was thus no image of the cosmos . Those ... speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term " recitative ...
Page 227
... speeches rather than the longer five or ten lines , but Chiabrera , for example , although he does favor the three - line speech , has more speeches over three lines than under , none of one line . La favola d'Orfeo ( Mantua , 1607 ) ...
... speeches rather than the longer five or ten lines , but Chiabrera , for example , although he does favor the three - line speech , has more speeches over three lines than under , none of one line . La favola d'Orfeo ( Mantua , 1607 ) ...
Page 258
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183–184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183–184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote