Musical Backgrounds for English Literature, 1580-1650Greenwood Press, 1976 - 292 pages
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Page 89
... tion relates to a proportionable concord in visible things , as Harmony in audible . The desire of this Beauty is Love ; arising onely from one knowing faculty , the Sight . " Beauty in a restricted sense is more than proportion ; it is ...
... tion relates to a proportionable concord in visible things , as Harmony in audible . The desire of this Beauty is Love ; arising onely from one knowing faculty , the Sight . " Beauty in a restricted sense is more than proportion ; it is ...
Page 120
... tion , and heart of singer and listener . He described voice in Aristotelian terms . But he added the popular notion that with the voice , which is breath , there is an issue of spirits : Sound is a breath , voyce is a sound and animate ...
... tion , and heart of singer and listener . He described voice in Aristotelian terms . But he added the popular notion that with the voice , which is breath , there is an issue of spirits : Sound is a breath , voyce is a sound and animate ...
Page 143
... tion is the reception " of the form of the sensible objects without the matter , just as the wax receives the impression of the signet - ring without the iron or the gold . " The effects of material motion are insignificant . Aristotle ...
... tion is the reception " of the form of the sensible objects without the matter , just as the wax receives the impression of the signet - ring without the iron or the gold . " The effects of material motion are insignificant . Aristotle ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson La favola d'Orfeo lines Loeb London lute Lycidas masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford passion pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought tion tune universe verse voice voyce words world spirit writers wrote