The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts: Including Painting, Interior Decoration, Tapestries, Carpets, Mosaics, Coloured Glazing, Paper-staining, Calico-printing, Letterpress Printing, Map-colouring, Dress, Landscape and Flower Gardening, Etc
Henry G. Bohn, 1860 - 465 pages
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according added advantage analogy appear applicable arrangement association assortment band become belonging binary Black Blue bodies border brilliant carpet cause CHAPTER coloured light complementary composed consequently consider contiguous contrast of colours deep deeper distinct effect employed equal evident example experiment fact figures flowers give given glass Green Grey ground hangings harmony height hues imitation incline Indigo influence intensity interior juxtaposition kind latter less light look lose luminous manner masses materials means mixed mixture modifications nature necessary normal objects observations Orange ornaments painted painter patterns perceive picture placed plants portion position possible preceding preferable present primary principle produce proportion rays falling receive reflected relation remark render represent respect result rose scale seen separately simple simultaneous contrast sombre stripes stuff successive sufficiently surface tapestry threads tint tion tone Violet White white light Yellow
Page i - Aiken's Calendar of Nature. Upwards of 100 Engravings. (Mary and William) Stories of English and Foreign Life. Twenty beautiful Engravings.