The New Oxford Book of English ProseJohn Gross Oxford University Press, 1998 - 1012 pages Prose, strictly defined, is the ordinary form of spoken or written language. Examples of solid prose are not difficult to come by: a well argued legal judgment, a lucid scientific paper, or a readily grasped set of technical instructions. Inspired prose, however, is a much rarer thing. In The New Oxford Book of English Prose, John Gross has gathered together those rare jewels of the English language that take plain prose to artistic heights. The pared-down style of Hemingway didnt happen overnight. Beginning with Sir Thomas Malory and ending with Kazuo Ishiguro, this anthology chronologically traces the evolution of prose, which gained confidence and extended its range in the late seventeenth century. It wasnt until the eighteenth century, however, that the ornate style of literary giants like Milton and Donne gave way to prose that was recognizably modern. The material included in this anthology is literary, but literary, as the editor states in the introduction, is not the narrow term that it is often made to beit embraces an enormous range of experience and response. The New Oxford Book of English Prose pays tribute to literatures vibrant diversity by offering glimpses of master craftsmanship from around the globe. Included here are excerpts from writers of such varied backgrounds as Salman Rushdie, Margaret Atwood, Vladimir Nabokov, and Mulk Raj Anand. From the eloquent political treatises of Burke to the bold narrative strokes of Herman Melville, readers will find that the selections contained within this volume superbly illustrate the expressive powers of prose. |
Contents
WILLIAM CAXTON | 6 |
WILLIAM ROPER | 21 |
THE BOOK OF COMMON PRAYER | 23 |
Copyright | |
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Common terms and phrases
Anatomy of Melancholy Aphrodite of Melos appeared asked Bakha beauty began better body called Clarinda colour creature dance dark death door Dr Johnson dream duckspeak Elliot Paul England English eyes face father fear feel felt friends Gertrude Stein girl give hair hand happy hath head hear heard heart human king knew Lady laugh light live London look Lord Macbeth matter Matthew Arnold Methwold mind Moby-Dick morning nature never night once passed passion perhaps person play pleasure poor reason round seemed seen sense side Sir Bedivere smile soul speak stood streets T. S. Eliot talk tell things thou thought tion told took trees Tristram Shandy turned Twemlow unto voice walked whole window woman wonder words young
References to this book
Victorian Culture and Society: The Essential Glossary Adam Charles Roberts No preview available - 2003 |
L'Afrique peut-elle s'en sortir?: pourquoi l'aide publique ne marche pas Robert Calderisi Limited preview - 2006 |