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Page 3
She also refers to what Beaton calls the " bipartite structure " ( e.g. 1996a : 119 ) , and to the selfreferring narrator.13 As far as the " adaptations ” are concerned , 10 On this late - Byzantine recension of the Alexander Romance ...
She also refers to what Beaton calls the " bipartite structure " ( e.g. 1996a : 119 ) , and to the selfreferring narrator.13 As far as the " adaptations ” are concerned , 10 On this late - Byzantine recension of the Alexander Romance ...
Page 9
Beaton comments on the unhappy end as follows : " the happy ending of the romance is diverted from its conventional course ... " ( 1996a : 110 ) , and more bluntly : “ then the story parts company with the genre of romance ” ( Beaton ...
Beaton comments on the unhappy end as follows : " the happy ending of the romance is diverted from its conventional course ... " ( 1996a : 110 ) , and more bluntly : “ then the story parts company with the genre of romance ” ( Beaton ...
Page 10
Beaton characterises the Alexander Romance as a " legacy from antiquity " and excludes it from discussion.32 I do , however , consider the fourteenth - century recension zeta to be closely related to the late - Byzantine romance .
Beaton characterises the Alexander Romance as a " legacy from antiquity " and excludes it from discussion.32 I do , however , consider the fourteenth - century recension zeta to be closely related to the late - Byzantine romance .
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Contents
problems of defining | 1 |
Women and gender roles in Modern Greek folktales | 21 |
a question of | 43 |
Copyright | |
2 other sections not shown
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Common terms and phrases
accepted According Achilleid Achilles activities adaptations Alexander Romance Allies Anatolia ancient approach Athens Beaton biographical boundaries British Byzantine Byzantine Iliad Byzantine romance called century character Chatzi-Yavrouda Christians close collected compared concept concerning considered continuity cultural Cupane Cyprus definition described detailed Digenes Akrites edition elements elite Empire erotic romances especially ethnic example existence expression fact fairy female folklore folktales follows gender genre Greece Greek Cypriot hero heroines historical Holbek identity important independence initiation instance interesting island language late-Byzantine romance literature London male material means meet mentioned Morea narrative narrators nation nationalists original Ottoman pass period plays political present probably problem published references respect role sense setting situation skills society story storytelling subjects tale tell territorial texts theme told traditional Turkish Cypriot University verses village women young Zarraftis