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SCENE BETWEEN JOHN OF GAUNT

his bed-side in an open coffin, thus endeavouring to reconcile an uneasy imagination to the fate he could not avoid. It is still preserved in the vaults under the church, and is to be seen with the other curiosities of the cathedral. We will not do a great man such a disservice as to dig him up for a spectacle. A man should be judged of at the time when he is most himself, and not when he is about to consign his weak body to its elements.

Of the events that have taken place connected with St. Paul's, one of the most curious was a scene that passed in the old cathedral between John of Gaunt and the Anti-Wickliffites. It made him very unpopular at the time. Probably, if he had died just after it, his coffin would have been torn to pieces; but subsequently he had a magnificent tomb in the church, on which hung his crest and cap of state, together with his lance and target. Perhaps the merits of the friend of Wickliff and Chaucer are now as much overvalued. The scene is taken as follows, by Mr. Brayley, out of Fox's Acts and Monuments.

"One of the most remarkable occurrences that ever took place within the old cathedral was the attempt made, in 1376, by the Archbishop of Canterbury and the Bishop of London, under the command of Pope Gregory the Eleventh, to compel Wickliff, the father of the English Reformation, to subscribe to the condemnation of some of his own tenets, which had been recently promulgated in the eight articles that have been termed the Lollards' Creed. The pope had ordered the above prelates to apprehend and examine Wickliff; but they thought it most expedient to summon him to St. Paul's, as he was openly protected by the famous John of Gaunt, Duke of Lancaster; and that nobleman accompanied him to the examination, together with the Lord Percy, Marshall of England. The proceedings were soon interrupted by a dispute as to whether Wickliff should sit or stand; and the following curious dialogue arose on the Lord Percy desiring him to be seated:

AND THE ANTI-WICKLIFFITES.

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"Bishop of London. 'If I could have guessed, Lord Percy, that you would have played the master here, I would have prevented your coming.'

"Duke of Lancaster. Yes, he shall play the master here, for all you.'

"Lord Percy. 'Wickliff, sit down! You have need of a seat, for you have many things to say.'

"Bishop of London. 'It is unreasonable that a clergyman, cited before his ordinary, should sit during his answer. shall stand!'

He

"Duke of Lancaster. 'My Lord Percy, you are in the right! And for you, my Lord Bishop, you are grown so proud and arrogant, I will take care to humble your pride; and not only yours, my lord, but that of all the prelates in England. Thou dependest upon the credit of thy relations; but so far from being able to help thee, they shall have enough to do to support themselves.'

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Bishop of London. I place no confidence in my relations, but in God alone, who will give me the boldness to speak the truth.'

“Duke of Lancaster (speaking softly to Lord Percy). 'Rather than take this at the bishop's hands, I will drag him by the hair of the head out of the court!'"*

Old St. Paul's was much larger than now, and the churchyard was of proportionate dimensions. The wall by which it was bounded ran along by the present streets of Ave Maria Lane, Paternoster Row, Old Change, Carter Lane, and Creed Lane; and therefore included a large space and many buildings, which are not now considered to be within the precincts of the cathedral. This spacious area had grass inside, and contained a variety of appendages to the establishment. One of these was the cross, which we have alluded to at the beginning of this chapter, and of which Stow did not know the antiquity. It was called PAUL'S CROSS, and stood on the north side of the

* London and Middlesex, vol ii. p. 231,

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church, a little to the east of the entrance to Canon Alley. It was around Paul's Cross, or rather in the space to the east of it, that the citizens were wont anciently to assemble in Folkmote, or general convention- not only to elect their magistrates and to deliberate on public affairs, but also, as it would appear, to try offenders and award punishments. We read of meetings of the Folkmote in the thirteenth century; but the custom was discontinued, as the increasing number of the inhabitants, and the mixture of strangers, were found to lead to confusion and tumult. In after times the cross appears to have been used chiefly for proclamations, and other public proceedings, civil, as well as ecclesiastical; such as the swearing of the citizens to allegiance, the emission of papal bulls, the exposing of penitents, &c., "and for the defaming of those," says Pennant, "who had incurred the displeasure of crowned heads." A pulpit was attached to it, it was not known when, in which sermons were preached, called Paul's Cross Sermons, a name by which they continued to be known when they ceased in the open air. Many benefactors contributed to support these sermons. In Stow's time the pulpit was an hexagonal piece of wood, "covered with lead, elevated upon a flight of stone steps, and surmounted by a large cross." During rainy weather the poorer part of the audience retreated to a covered place, called the shrowds, which are supposed to have abutted on the church wall. The rest, including the lord mayor and aldermen, most probably had shelter at all times; and the king and his train (for they attended also) had covered galleries.* Popular preachers were

*The active habits of our ancestors enabled them to bear these out-ofdoor sermons better than their posterity could; yet, as times grew less hardy, they began to have consequences which Bishop Latimer attributed to another cause. "The citizens of Raim," said he, in a sermon preached in Lincolnshire, in the year 1552, "had their burying-place without the

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invited to hold forth in this pulpit, but the bishop was the inviter. In the reign of James the First, the lord mayor and aldermen ordered, that every one who should preach there, "considering the journies some of them might take from the universities, or elsewhere, should, at his pleasure, be freely entertained for five days' space, with sweet and convenient lodging, fire, candle, and all other necessaries, viz., from Thursday before their day of preaching, to Thursday morning following." "This good custom," says Maitland, "continued for some time. And the Bishop of London, or his chaplain, when he sent to any one to preach, did actually signify the place where he might repair at his coming up, and be entertained freely." In earlier times a kind of inn seems to have been kept for the entertainment of the preachers at Paul's Cross, which went by the name of the Shunamites' House.

"Before the cross," says Pennant, "was brought, divested of all splendour, Jane Shore, the charitable, the merry concubine of Edward the Fourth, and, after his death, of his favourite, the unfortunate Lord Hastings. After the loss of her protectors, she fell a victim to the malice of crook-backed Richard. He was disappointed (by her excellent defence) of convicting her of witchcraft, and confederating with her lover

city, which, no doubt, is a laudable thing; and I do marvel that London, being so great a city, hath not a burial-place without, for no doubt it is an unwholesome thing to bury within the city, especially at such a time when there be great sickness, and many die together. I think verily that many a man taketh his death in Paul's Churchyard, and this I speak of experience; for I myself, when I have been there on some mornings to hear the sermons, have felt such an ill-savoured unwholesome savour, that I was the worse for it a great while after; and I think no less, but it is the occasion of great sickness and disease."— Brayley, vol. ii. p. 315. After all, the bishop may have been right in attributing the sickness to the cemetery. We have seen frightful probabilities of the same kind in our own time; and nothing can be more sensible than what he says of burial-grounds in cities.

* Maitland, vol. ii. p. 949.

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to destroy him. He then attacked her on the weak side of frailty. This was undeniable. He consigned her to the severity of the church: she was carried to the Bishop's palace, clothed in a white sheet, with a taper in her hand, and from thence conducted to the cathedral and the cross, before which she made a confession of her only fault. Every other virtue bloomed in this ill-fated fair with the fullest vigour. She could not resist the solicitations of a youthful monarch, the handsomest man of his time. On his death she was reduced to necessity, scorned by the world, and cast off by her husband, with whom she was paired in her childish years, and forced to fling herself into the arms of Hastings."

"In her penance she went," says Holinshed, " in countenance and pace demure, so womanlie, that albeit she were out of all araie, save her kertle onlie, yet went she so faire and lovelie, namelie, while the wondering of the people cast a comlie rud in her cheeks, (of which she before had most misse), that hir great shame wan hir much praise among those that were more amorous of hir bodie, than curious of hir soule. And manie good folkes that hated her living (and glad were to see sin corrected), yet pitied they more hir penance, than rejoiced therein, when they considered that the Protector procured it more of a corrupt intent than any virtuous affection."

"Rowe," continues Pennant, "has flung this part of her sad story into the following poetical dress; but it is far from possessing the moving simplicity of the old historian."*

Submissive, sad, and lonely was her look;
A burning taper in her hand she bore;
And on her shoulders, carelessly confused,
With loose neglect her lovely tresses hung;
Upon her cheek a faintish flush was spread;
Feeble she seemed, and sorely smit with pain;
While, barefoot as she trod the flinty pavement,
Her footsteps all along were marked with blood.
Yet silent still she passed, and unrepining;
Her streaming eyes bent ever on the earth,

* The reader, perhaps, will agree with us in thinking, that the last three lines of this poetry are unworthy of the rest, and put Jane in a theatrical attitude which she would not have affected.

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