The Principles of Harmony and Contrast of Colours, and Their Applications to the ArtsGeorge Bell and Sons, 1910 - 465 pages |
From inside the book
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Page xviii
... interior decoration Introduction CHAPTER I. CHAPTER II . - - " · · · 2 • 227 • 228 ib . On the assortment of stuffs with the wood of chairs On the selection of frames for pictures and engravings 231 CHAPTER III . - On the general ...
... interior decoration Introduction CHAPTER I. CHAPTER II . - - " · · · 2 • 227 • 228 ib . On the assortment of stuffs with the wood of chairs On the selection of frames for pictures and engravings 231 CHAPTER III . - On the general ...
Page xix
... interiors , intended to receive tapestry or paper - hangings 245 Article 1. - The wainscoting Article 2. - Hangings ... interiors , the walls of which are panelled or covered with marble or stucco , or decorated with painted wood , stone ...
... interiors , intended to receive tapestry or paper - hangings 245 Article 1. - The wainscoting Article 2. - Hangings ... interiors , the walls of which are panelled or covered with marble or stucco , or decorated with painted wood , stone ...
Page 52
... Section . - In Decorating Interiors - Dwellings , Picture Galleries , Churches , Theatres , & c . 3rd Section . - Clothing . 4th Section . - Horticulture . PROLEGOMENA . 1000 31. DEFINITION OF THE WORDS TONES , 52 PART II . INTRODUCTION .
... Section . - In Decorating Interiors - Dwellings , Picture Galleries , Churches , Theatres , & c . 3rd Section . - Clothing . 4th Section . - Horticulture . PROLEGOMENA . 1000 31. DEFINITION OF THE WORDS TONES , 52 PART II . INTRODUCTION .
Page 136
... interiors have , other things being equal , more power than historical painters in faithfully re- producing the modifications of light . Supposing that I am not in error , perhaps the following causes will explain 136 UTILITY OF THE LAW ...
... interiors have , other things being equal , more power than historical painters in faithfully re- producing the modifications of light . Supposing that I am not in error , perhaps the following causes will explain 136 UTILITY OF THE LAW ...
Page 137
... interiors ? In the second place , is it not because the historical painter is never in a position to see all the scene he would represent , like the painter of interiors , who , having constantly his model before him , consequently sees ...
... interiors ? In the second place , is it not because the historical painter is never in a position to see all the scene he would represent , like the painter of interiors , who , having constantly his model before him , consequently sees ...
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Common terms and phrases
aerial perspective agreeable appear arrangement artist association assortment White BEAUVAIS TAPESTRY Bengal Rose Black border brilliant CHAPTER chiar'oscuro coloured light coloured materials coloured objects complementary complementary colour complexion composed contiguous contrast of colours contrast of tone Dahlia different colours drapery employed example fact favourable flat tints flowers glass GOBELINS TAPESTRY Green Green threads Grey Guelder Rose hangings harmonies of analogy harmony of contrast hues imitation Indigo interior Jasminum fruticans Judas tree juxtaposition Laburnum latter law of contrast law of simultaneous less light tones luminous colours manner masses mixed mixture modifications neutralise normal tone observations Orange ornaments painter patterns perceive picture pink placed plants preceding present principle principle of distinct produce Prunus mahaleb pure colour rays falling reflected relation remark render result Ribes rubrum Savonnerie scale sight simultaneous contrast sombre colours spectator stuff surface tion trast Violet Lilac wainscoting White ground white light Yellow