The Principles of Harmony and Contrast of Colours, and Their Applications to the ArtsGeorge Bell and Sons, 1910 - 465 pages |
From inside the book
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Page xxxii
... colour are added to it . If the colours are rendered im- pure by the presence of the third primary , they become broken colours or greys . LUMINOUS AND SOMBRE COLOURS . Colours are classed as warm xxxii INTRODUCTION .
... colour are added to it . If the colours are rendered im- pure by the presence of the third primary , they become broken colours or greys . LUMINOUS AND SOMBRE COLOURS . Colours are classed as warm xxxii INTRODUCTION .
Page xxxvi
... rendered more apparent by bringing the same colour successively in contact with different colours belonging to the same group . Example . - If we place Orange beside scarlet - red , normal - red , or crimson - red , the red becomes ...
... rendered more apparent by bringing the same colour successively in contact with different colours belonging to the same group . Example . - If we place Orange beside scarlet - red , normal - red , or crimson - red , the red becomes ...
Page 9
... rendered apparent by the comparison we have made of their colours with those of o ' and of p . * ( 14. ) It is easy to demonstrate that the modification which colours undergo by juxtaposition , is a tendency to weakening starting from ...
... rendered apparent by the comparison we have made of their colours with those of o ' and of p . * ( 14. ) It is easy to demonstrate that the modification which colours undergo by juxtaposition , is a tendency to weakening starting from ...
Page 13
... renders it yellower , or less red . Orange and Violet . No. 9 . ( 23. ) Blue , the complementary of Orange , added to Violet , makes it incline to indigo . The complementary of Violet ( Greenish - Yellow ) , added to Orange , the latter ...
... renders it yellower , or less red . Orange and Violet . No. 9 . ( 23. ) Blue , the complementary of Orange , added to Violet , makes it incline to indigo . The complementary of Violet ( Greenish - Yellow ) , added to Orange , the latter ...
Page 24
... rendered it lighter and apparently brighter , while juxtaposed with black , it heightened it , and made it appear lighter and more rusty . ( 70.ten ) One result of the complementaries of colours juxta- posed with grey being more ...
... rendered it lighter and apparently brighter , while juxtaposed with black , it heightened it , and made it appear lighter and more rusty . ( 70.ten ) One result of the complementaries of colours juxta- posed with grey being more ...
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Common terms and phrases
aerial perspective agreeable appear arrangement artist association assortment White BEAUVAIS TAPESTRY Bengal Rose Black border brilliant CHAPTER chiar'oscuro coloured light coloured materials coloured objects complementary complementary colour complexion composed contiguous contrast of colours contrast of tone Dahlia different colours drapery employed example fact favourable flat tints flowers glass GOBELINS TAPESTRY Green Green threads Grey Guelder Rose hangings harmonies of analogy harmony of contrast hues imitation Indigo interior Jasminum fruticans Judas tree juxtaposition Laburnum latter law of contrast law of simultaneous less light tones luminous colours manner masses mixed mixture modifications neutralise normal tone observations Orange ornaments painter patterns perceive picture pink placed plants preceding present principle principle of distinct produce Prunus mahaleb pure colour rays falling reflected relation remark render result Ribes rubrum Savonnerie scale sight simultaneous contrast sombre colours spectator stuff surface tion trast Violet Lilac wainscoting White ground white light Yellow