Shakespearean CriticismCengage Gale, 1999 - 420 pages Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 334
... Orsino and Olivia are complex and refined characters . The duke has artistic and intellectual pretensions ; be- fore the curtain is raised , at the beginning of Twelfth Night , his musicians are playing a piece of music which Orsino ...
... Orsino and Olivia are complex and refined characters . The duke has artistic and intellectual pretensions ; be- fore the curtain is raised , at the beginning of Twelfth Night , his musicians are playing a piece of music which Orsino ...
Page 335
... Orsino him- self , and we can easily understand why : the passion for Olivia is an eternal before . Olivia must be the first woman who ever had the upper hand with Orsino , and Orsino realizes that she has for him the eyes that he ...
... Orsino him- self , and we can easily understand why : the passion for Olivia is an eternal before . Olivia must be the first woman who ever had the upper hand with Orsino , and Orsino realizes that she has for him the eyes that he ...
Page 347
... Orsino refers to a set of Renaissance artifacts , includ- ing complicated mirrors , which highlighted the effect of ... Orsino's reference to a ' natural perspective that is and is not ' implies not only that he thinks nature has ...
... Orsino refers to a set of Renaissance artifacts , includ- ing complicated mirrors , which highlighted the effect of ... Orsino's reference to a ' natural perspective that is and is not ' implies not only that he thinks nature has ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words