Shakespearean CriticismCengage Gale, 1999 - 420 pages Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 325
... Viola appeals just as strongly to critics who puncture the romantic surface of the play , and find excesses in Illyria that cannot be purged as a mere product of a ' holiday ' atmosphere . For these critics , Viola stands above her ...
... Viola appeals just as strongly to critics who puncture the romantic surface of the play , and find excesses in Illyria that cannot be purged as a mere product of a ' holiday ' atmosphere . For these critics , Viola stands above her ...
Page 328
... Viola that ' she never toys with [ the ] possibility for a moment ' of manipulating Olivia's emotions for her own ends . Alexander Leggatt finds that Viola urges the suit ' with the generosity that is part of her nature ' . Two other ...
... Viola that ' she never toys with [ the ] possibility for a moment ' of manipulating Olivia's emotions for her own ends . Alexander Leggatt finds that Viola urges the suit ' with the generosity that is part of her nature ' . Two other ...
Page 333
... Viola an aristocratic birth . I believe that there is no evidence in the play justifying this assumption , and certainly no evidence that in plotting for a duke she is not aspiring beyond her class . In Shakespeare's Lon- don theatre ...
... Viola an aristocratic birth . I believe that there is no evidence in the play justifying this assumption , and certainly no evidence that in plotting for a duke she is not aspiring beyond her class . In Shakespeare's Lon- don theatre ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words