Shakespearean CriticismCengage Gale, 1999 - 420 pages Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 131
... hand , Orlando ' ( IV.i.114 ) . The final stage pic- ture of these two boys holding hands should mirror the earlier scene . " Her evidence , including such textual evidence as the Folio reading above as well as the fact of stage timing ...
... hand , Orlando ' ( IV.i.114 ) . The final stage pic- ture of these two boys holding hands should mirror the earlier scene . " Her evidence , including such textual evidence as the Folio reading above as well as the fact of stage timing ...
Page 179
... hand - thus enabling the eighty - year - old Lear to put into place his momentous and much - needed settlement . Both the Duke of Burgundy and the King of France are there because both wish to marry Cordelia , but the evidence ( again ...
... hand - thus enabling the eighty - year - old Lear to put into place his momentous and much - needed settlement . Both the Duke of Burgundy and the King of France are there because both wish to marry Cordelia , but the evidence ( again ...
Page 207
... hand , becomes a mock - Prudence , os- tensibly the opposite of Folly . The Fool declares him- self the " sweet " fool and then points , not at King Lear , but into the mirror . The " bitter fool " will presently appear within the ...
... hand , becomes a mock - Prudence , os- tensibly the opposite of Folly . The Fool declares him- self the " sweet " fool and then points , not at King Lear , but into the mirror . The " bitter fool " will presently appear within the ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words