Shakespearean CriticismCengage Gale, 1999 - 420 pages Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 126
... marriage . Marriage is always a part of Rosalind's and Orlando's wooing , but Touchstone's ideas are of another stamp . He knows that marriage is the only way to gain ground with Audrey , and because his in- tentions are far from ...
... marriage . Marriage is always a part of Rosalind's and Orlando's wooing , but Touchstone's ideas are of another stamp . He knows that marriage is the only way to gain ground with Audrey , and because his in- tentions are far from ...
Page 348
... marriage teaches wives to ' cease from commanding , and performe subjection ' by using the same set of analogies : ' For when we ourselves doe teach our children to obey us as their parents , or when we reforme our servants , and tell ...
... marriage teaches wives to ' cease from commanding , and performe subjection ' by using the same set of analogies : ' For when we ourselves doe teach our children to obey us as their parents , or when we reforme our servants , and tell ...
Page 354
... marriage will finally be like . Jane Anger's treatise is unusual in its lack of interest in the subject of matrimony , since most pamphlet - writ- ers defending women during this period praised them most highly for their capacity to be ...
... marriage will finally be like . Jane Anger's treatise is unusual in its lack of interest in the subject of matrimony , since most pamphlet - writ- ers defending women during this period praised them most highly for their capacity to be ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words