Shakespearean CriticismCengage Gale, 1999 - 420 pages Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 354
... woman in himself , since Eve was made out of Adam , and this proves that a woman is ' no other substance but another himself " . For every excellent man , there is an excellent woman , who is ' everie waies his match ' . The treatise ...
... woman in himself , since Eve was made out of Adam , and this proves that a woman is ' no other substance but another himself " . For every excellent man , there is an excellent woman , who is ' everie waies his match ' . The treatise ...
Page 370
... woman . Behavior is ultimately more important for society than appearance : the debate on women's dress withers be- fore that larger issue of woman's forwardness . Stage productions and criticism of Twelfth Night attack Olivia's ...
... woman . Behavior is ultimately more important for society than appearance : the debate on women's dress withers be- fore that larger issue of woman's forwardness . Stage productions and criticism of Twelfth Night attack Olivia's ...
Page 380
... woman younger than himself . Later , however , when describing his own love for Olivia , the Duke contradicts himself , insisting , " no woman's heart / So big , to hold so much ; they lack retention " ( 95-96 ) . He also compares a woman's ...
... woman younger than himself . Later , however , when describing his own love for Olivia , the Duke contradicts himself , insisting , " no woman's heart / So big , to hold so much ; they lack retention " ( 95-96 ) . He also compares a woman's ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words