Kampos: Cambridge Papers in Modern Greek, Issue 13Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2005 |
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Page 89
... songs are never referred to by that name . This was not the first occurrence of songs now called rebetika in Greek literature : realist fiction dating from the 1890s is a source of " protorebetika " ( Gauntlett 1985 : 226-8 ) , as is ...
... songs are never referred to by that name . This was not the first occurrence of songs now called rebetika in Greek literature : realist fiction dating from the 1890s is a source of " protorebetika " ( Gauntlett 1985 : 226-8 ) , as is ...
Page 91
... songs give graphic first - person accounts of rejection , vilification and implacable hostility at every turn ; in the former song , the degradation of the addict , like that of Kara- gatsis's anti - hero , continues after his death ...
... songs give graphic first - person accounts of rejection , vilification and implacable hostility at every turn ; in the former song , the degradation of the addict , like that of Kara- gatsis's anti - hero , continues after his death ...
Page 99
... songs , and on current indications , Pikros is to be credited with its use even before it appears in the songs . In fact Pikros uses the feminine form “ рεμлέτа " , referring to the deranged female protagonist of the story “ Μπαλάντα ...
... songs , and on current indications , Pikros is to be credited with its use even before it appears in the songs . In fact Pikros uses the feminine form “ рεμлέτа " , referring to the deranged female protagonist of the story “ Μπαλάντα ...
Contents
Kazantzakiss abortive foray into politics in liberated | 1 |
Aspects of the Hellenization of Greek Macedonia | 21 |
Byron Greece and guilt | 63 |
Copyright | |
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