"It is very remarkable, that he retained in his memory very slight and trivial as well as important things. As an instance of this, it seems that an inferior domestic of the Duke of Leeds had attempted to celebrate his grace's marriage in such homely rhymes as he could make: and this curious composition having been sung to Dr. Johnson, he got it by heart, and used to repeat it in a very pleasant manner. Two of the stanzas were these:- 'When the Duke of Leeds shall married be 'She shall have all that's fine and fair, And have a house in St. James's-square.' 1 To hear a man, of the weight and dignity of Johnson, repeating such humble attempts at poetry, had a very amusing effect. He, however, seriously observed of the last stanza repeated by him, that it nearly comprised all the advantages that wealth can give." "An eminent foreigner, when he was shown the British Museum, was very troublesome with many absurd inquiries. Now there, Sir,' said he, is the difference between an Englishman and a Frenchman.' A Frenchman must be always talking, whether he knows anything of the matter or not; an Englishman is content to say nothing, when he has nothing to say."" 66 His unjust contempt for foreigners was, indeed, extreme. One evening, at Old Slaughter's coffee-house, when a number of them were talking loud about little matters, he said, 'Does not this confirm old Meynell's observation-For any thing I see, foreigners are fools!'" 1 The correspondent of "The Gentleman's Magazine' who subscribes himself SCIOLUS, furnishes the following supplement : "A lady of my acquaintance remembers to have heard her uncle sing those homely stanzas more than forty-five years ago. He repeated the second thus. And remembered a third which seems to have been the introductory one, and is believed to have been the only remaining one: 'When the Duke of Leeds shall have made his choice Of a charming young lady that's beautiful and wise, She'll be the happiest young gentlewoman under the skies, As long as the sun and moon shall rise, And how happy shall," &c. It is with pleasure I add that this stanza could never be more truly applied than at this present time [1792.]-Boswell. "He said, that once, when he had a violent toothache, a Frenchman accosted him thus: Ah, Monsieur, vous étudiez trop."" 6 "Having spent an evening at Mr. Langton's with the Reverend Dr. Parr,1 he was much pleased with the conversation of that learned gentleman; and, after he was gone, said to Mr. Langton, Sir, I am obliged to you for having asked me this evening. Parr is a fair man. I do not know when I have had an occasion of such free controversy. It is remarkable how much of a man's life may pass without meeting with any instance of this kind of open discussion.' "We may fairly institute a criticism between Shakspeare and Corneille, as they both had, though in a different degree, the lights of 1 Dr. Samuel Parr was one of the most learned and accomplished scholars of the age. He was selected as the writer of the Latin Epitaph recorded on Johnson's monument in St. Paul's Cathedral. In 1778, he was appointed master of the grammar school at Norwich, at the recommendation of Dr. Johnson; and in 1802 Sir Francis Burdett gave him the rector of Graffham, in the county of Huntingdon. Soon after his death, which took place in 1825, at the age of 79, his Memoirs were published in 2 vols. 8vo., and subsequently a collection of his numerous works in 8 vols.-ED. a latter age. It is not so just between the Greek dramatic writers and Shakspeare. It may be replied to what is said by one of the remarkers on Shakspeare, that though Darius's shade had prescience, it does not necessarily follow that he had all past particulars revealed to him.' 66 Spanish plays, being wildly and improbably farcical, would please children here, as children are entertained with stories full of prodigies; their experience not being sufficient to cause them to be so readily startled at deviations from the natural course of life. The machinery of the Pagans is uninteresting to us. When a goddess appears in Homer or Virgil, we grow weary; still more so in the Grecian tragedies, as in that kind of composition a nearer approach to Nature is intended. Yet there are good reasons for reading romances; as-the fertility of invention, the beauty of style and expression, the curiosity of seeing with what kind of performances the age and country in which they were written was delighted: for it is to be apprehended, that at the time when very wild improbable tales were well received, the people were in a barbarous state, and so on the footing of children, as has been explained." 66 'It is evident enough that no one who writes now can use the Pagan deities and mythology; the only machinery, therefore, seems that of ministering spirits, the ghosts of the departed, witches and fairies, though these latter, as the vulgar superstition concerning them (which, while in its force, infected at least the imagination of those that had more advantage in education, though their reason set them free from it), is every day wearing out, seem likely to be of little farther assistance in the machinery of poetry. As I recollect, Hammond introduces a hag or witch into one of his love elegies, where the effect is unmeaning and disgusting." "The man who uses his talent of ridicule in creating or grossly exaggerating the instances he gives, who imputes absurdities that did not happen, or when a man was a little ridiculous, describes him as having been very much so, abuses his talents greatly. The great use of delineating absurdities is, that we may know how far human folly can go; the account, therefore, ought of absolute necessity to be faithful. A certain character (naming the person) as to the general cast of it, is well described by Garrick, but a great deal of the phraseology he uses in it, is quite his own, particularly in the proverbial comparisons, obstinate as a pig,' &c., but I don't know whether it might not be true of Lord that from a too great eagerness of praise and popularity, and a politeness carried to a ridiculous excess, he was likely, after asserting a thing in general, to give it up again in parts. For instance, if he had said Reynolds was the first of painters, he was capable enough of giving up, as objections might happen to be severally made, first, his outline, then the grace in form, then the colouring,-and lastly, 6 to have owned that he was such a mannerist, that the disposition of his pictures was all alike." "For hospitality, as formerly practised, there is no longer the same reason; heretofore the poorer people were more numerous, and from want of commerce, their means of getting a livelihood more difficult; therefore the supporting them was an act of great benevolence; now that the poor can find maintenance for themselves, and their labour is wanted, a general undiscerning hospitality tends to ill, by withdrawing them from their work to idleness and drunkenness. Then, formerly rents were received in kind, so that there was a great abundance of provisions in possession of the owners of the lands, which, since the plenty of money afforded by commerce, is no longer the case. 66 Hospitality to strangers and foreigners in our country is now almost at an end, since, from the increase of them that come to us, there have been a sufficient number of people that have found an interest in providing inns and proper accommodations, which is in general a more expedient method for the entertainment of travellers. Where the travellers and strangers are few, more of that hospitality subsists, as it DR. FARMER. has not been worth while to provide places of accommodation. In Ireland there is still hospitality to strangers, in some degree; in Hungary and Poland probably more." "Colman, in a note on his translation of Terence, talking of Shakspeare's learning, asks, What says Farmer to this? What says Johnson?' Upon this he observed, 'Sir, let Farmer answer for himself: I never engaged in this controversy. I always said Shakspeare had Latin enough to grammaticise his English.' "A clergyman, whom he characterised as one who loved to say little oddities, was affecting one day, at a bishop's table, a sort of slyness and freedom not in character, and repeated, as if part of The Old Man's Wish,' a song by Dr. Walter Pope, a verse bordering on licentiousness. Johnson rebuked him in the finest manner, by first showing that he did not know the passage he was aiming at, and thus humbling him: Sir, that is not the song it is thus. And he gave it right. Then looking steadfastly on him, Sir, there is a part of that song which I should wish to exemplify in my own life : 6 May I govern my passions with absolute sway!'" "Being asked if Barnes1 knew a good deal of Greek, he answered, 'I doubt, Sir, he was unoculus inter cæcos. "He used frequently to observe, that men might be very eminent in a profession, without our perceiving any particular power of mind in them in conversation. It seems strange,' said he,' that a man should see so far to the right, who sees so short a way to the left. Burke is the only man whose common conversation corresponds with the general fame which he has in the world. Take up whatever topic you please, he is ready to meet you.' "A gentleman, by no means deficient in literature, having discovered less acquaintance with one of the Classics than Johnson expected, when the gentleman left the room, he observed, 'You see, now, how little anybody reads.' Mr. Langton happening to mention his having read a good deal in Clenardus's Greek Grammar, Why, Sir,' said he, who is there in this town who knows anything of Clenardus but you and I ?' And upon Mr. Langton's mentioning that he had taken the pains to learn by heart the Epistle of St. Basil, which is given in that Grammar as a praxis, 'Sir,' said he, 'I never made such an effort to attain Greek.' "Of Dodsley's 'Public Virtue,' a poem, he said, 'It was fine blank; (meaning to express his usual contempt for blank verse :) however, this miserable poem did not sell, and my poor friend Doddy said, Public virtue was not a subject to interest the age.' "Mr. Langton, when a very young man, read Dodsley's 'Cleone,' a tragedy, to him, not aware of his extreme impatience to be read to. As it went on he turned his face to the back of his chair, and put himself into various attitudes, which marked his uneasiness. At the end of an act, however, he said, 'Come, let's have some more, let's go into the slaughter-house again, Lanky. But I am afraid there is 1 The Rev. Joshua Barnes, the learned editor of Homer, Euripides, and Anacreon. He was author of " The Life of Edward III.," and published a poem "On the History of Esther." He was born in 1654, and died in 1712.-ED. 2 Johnson, in his Life of Milton, after mentioning that great poet's extraordinary fancy that the world was in its decay, and that his book was to be written in an age too late for heroic poesy, thus concludes: "However inferior to the heroes who were born in better ages, he might still be great among his contemporaries, with the hope of growing every day greater in the dwindle of posterity; he might still be a giant among the pigmies, the one-eyed monarch of the blind."-J. BOSWELL, JUN. 3 The name of Dodsley, as an intimate friend of Johnson, is frequently mentioned in the course of these memoirs. As an author and a bookseller he was one of the most remarkable characters of his time. He was born at Mansfield in 1703, and was originally apprenticed to a stocking weaver, which trade he left, and became footman to the Hon. Mrs. Lowther. While he was in this situation, he brought out a volume of poems, entitled "The Muse in Livery," and a dramatic satire, called "The Toyshop," which being patronized by Pope, and successfully brought out on the stage, enabled Dodsley to commence business as a bookseller in Pall Mall. He still continued his literary pursuits, and produced " Cleone," a tragedy, besides many light dramas and poems. He was the projector of "The Annual Register," which is still published by the trade. He died in 1764, having retired from business after a prosperous career.-ED. |