The whole of it is rich in thought and imagery, and happy expressions; and of the disjecta membra scattered throughout, and as yet unarranged, a good dramatic poet might avail himself with considerable advantage. I shall give my readers some specimens of different kinds, distinguishing them by the italic character.

"Nor think to say here will I stop,

Here will I fix the limits of transgression,

Nor farther tempt the avenging rage of heaven.
When guilt like this once harbours in the breast,
Those holy beings, whose unseen direction
Guides through the maze of life the steps of man,
Fly the detested mansions of impiety,

And quit their charge to horror and to ruin."

A small part only of this interesting admonition is preserved in the play, and is varied, I think, not to advantage:

"The soul once tainted with so foul a crime,

No more shall glow with friendship's hallow'd ardour:
Those holy beings, whose superior care

Guides erring mortals to the paths of virtue,

Affrighted at impiety like thine,

Resign their charge to baseness and to ruin."

"I feel the soft infection

Flush in my cheek, and wander in my veins.
Teach me the Grecian art of soft persuasion."

"Sure this is love, which heretofore I conceived the dream of idle maids, and wanton poets."

Though no comets or prodigies foretold the ruin of Greece, signs which heaven must by another miracle enable us to understand, yet might it be foreshewn, by tokens no less certain, by the vices which always bring it on."

This last passage is worked up in the tragedy itself, as follows:

LEONTIUS. "That power that kindly spreads
The clouds, a signal of impending showers,
To warn the wand'ring linnet to the shade,

'IRENE'

Beheld, without concern, expiring Greece,
And not one prodigy foretold our fate.

69

DEMETRIUS. A thousand horrid prodigies foretold it;
A feeble government, eluded laws,

A factious populace, luxurious nobles,
And all the maladies of sinking states.
When public villainy, too strong for justice,
Shows his bold front, the harbinger of ruin,
Can brave Leontius call for airy wonders,
Which cheats interpret, and which fools regard?
When some neglected fabric nods beneath
The weight of years, and totters to the tempest,
Must heaven despatch the messengers of light,
Or wake the dead, to warn us of its fall?"

MAHOMET (to IRENE). "I have tried thee, and joy to find that thou deservest to be loved by Mahomet,-with a mind great as his own. Sure, thou art an error of nature, and an exception to the rest of thy sex, and art immortal; for sentiments like thine were never to sink into nothing. I thought all the thoughts of the fair had been to select the graces of the day, dispose the colours of the flaunting (flowing) robe, tune the voice and roll the eye, place the gem, choose the dress, and add new roses to the fading cheek, but-sparkling." Thus in the tragedy:

"Illustrious maid, new wonders fix me thine;
Thy soul completes the triumphs of thy face;
I thought, forgive, my fair, the noblest aim,
The strongest effort of a female soul
Was but to choose the graces of the day,
To tune the tongue, to teach the eyes to roll,
Dispose the colours of the flowing robe,

And add new roses to the faded cheek."

I shall select one other passage, on account of the doctrine which it illustrates. IRENE observes, "That the Supreme Being will accept of virtue, whatever outward circumstances it may be accompanied with, and may be delighted with varieties of worship; but is answered: That variety cannot affect that Being, who, infinitely happy in his own perfections, wants no external gratifications; nor can infinite

truth be delighted with falsehood; that though he may guide or pity those he leaves in darkness, he abandons those who shut their eyes against the beams of day."

Johnson's residence at Lichfield, on his return to it at this time, was only for three months; and as he had as yet seen but a small part of the wonders of the metropolis, he had little to tell his townsmen. He related to me the following minute anecdote of this period: "In the last age, when my mother lived in London, there were two sets of people, those who gave the wall, and those who took it; the peaceable and the quarrelsome. When I returned to Lichfield, after having been in London, my mother asked me, whether I was one of those who gave the wall, or those who took it. Now it is fixed that every man keeps to the right; or, if one is taking the wall, another yields it; and it is never a dispute.":

1

As

He now removed to London with Mrs. Johnson; but her daughter, who had lived with them at Edial, was left with her relations in the country. His lodgings were for some time in Woodstock-street, near Hanover-square, and afterward in Castle-street, near Cavendish-square. there is something pleasingly interesting, to many, in tracing so great a man through all his different habitations, I shall, before this work is concluded, present my readers with an exact list of his lodgings and houses, in order of time, which, in placid condescension to my respectful curiosity, he one evening dictated to me, but without specifying how long he lived at each. In the progress of his life I shall have occasion to mention some of them as connected with particular incidents, or with the writing of particular parts of his works. To some, this minute attention may appear trifling; but when we consider the punctilious exactness with which the different houses in which Milton resided have been traced by the writers of his life, a similar enthusiasm may be pardoned in the biographer of Johnson.

His tragedy being by this time, as he thought, completely finished and fit for the stage, he was very desirous

1 Journal of a Tour to the Hebrides, 3rd edit. p. 232. B.

THE GENTLEMAN'S MAGAZINE'

71

that it should be brought forward. Mr. Peter Garrick told me, that Johnson and he went together to the Fountain tavern, and read it over, and that he afterward solicited Mr. Fleetwood, the patentee of Drury-lane theatre, to have it acted at his house; but Mr. Fleetwood would not accept it, probably because it was not patronized by some man of high rank; and it was not acted till 1749, when his friend David Garrick was manager of that theatre.

The "Gentleman's Magazine," begun and carried on by Mr. Edward Cave, under the name of "Sylvanus Urban,' had attracted the notice and esteem of Johnson, in an eminent degree, before he came to London, as an adventurer in literature. He told me, that when he first saw St. John's Gate, the place where that deservedly popular miscellany was originally printed, he "beheld it with reverence. I suppose, indeed, that every young author has had the same kind of feeling for the magazine or periodical publication which has first entertained him, and in which he has first had an opportunity to see himself in print, without the risk of exposing his name. I myself recollect such impressions from "The Scots Magazine," which was begun at Edinburgh in the year 1739, and has been ever conducted with judgment, accuracy, and propriety. I yet cannot help thinking of it with an affectionate regard. Johnson has dignified the "Gentleman's Magazine," by the importance with which he invests the life of Cave; but he has given it still greater lustre by the various admirable Essays which he wrote for it.

Though Johnson was often solicited by his friends to make a complete list of his writings, and talked of doing it, I believe with a serious intention that they should all be collected on his own account, he put it off from year to year, and at last died without having done it perfectly. I have one in his own hand-writing which contains a certain number; I indeed doubt if he could have remembered every one of them, as they were so numerous, so various, and scattered in such a multiplicity of unconnected publications; nay, several of them published under the names of other persons, to whom he liberally contributed from

the abundance of his mind. We must, therefore, be content to discover them, partly from occasional information given by him to his friends, and partly from internal evidence.1

His first performance in the "Gentleman's Magazine," which for many years was his principal source for employment and support, was a copy of Latin verses, in March, 1738, addressed to the editor in so happy a style of compliment, that Cave must have been destitute both of taste and sensibility, had he not felt himself highly gratified.

Ad URBANUM.*

URBANE, nullis fesse laboribus,
URBANE, nullis victe calumniis,
Cui fronte sertum in erudita
Perpetuo viret et virebit ;

Quid moliatur gens imitantium,
Quid et minetur, solicitus parum,
Vacare solis perge Musis,

Juxta animo studiisque felix.

Linguæ procacis plumbea spicula,
Fidens, superbo frange silentio ;
Victrix per obstantes catervas
Sedulitas animosa tendet.

Intende nervos, fortis, inanibus
Risurus olim nisibus æmuli;
Intende jam nervos, habebis
Participes operæ Camoenas.

Non ulla Musis pagina gratior,
Quam quæ severis ludicra jungere
Novit, fatigatamque nugis

Utilibus recreare mentem.

1 While in the course of my narrative I enumerate his writings, I shall take care that my readers shall not be left to waver in doubt, between certainty and conjecture, with regard to their authenticity; and, for that purpose, shall mark with an asterisk (*) those which he acknowledged to his friends, and with a dagger (†) those which are ascertained to be his by internal evidence. When any other pieces are ascribed to him, I shall give my reasons. B.