Description: Sign, Self, Desire : Critical Theory in the Wake of Semiotics

action actually already analysis appear attempt become beginning Brémond Chapter character Chloe communication Comus concept considered constitutes context criticism culture Daphnis defined described designation desire determined difference discourse display distinction effect emphasize established example existence experience expression fact feeling fiction finally function give Greimas hand hero importance instance interest interpretation Lady language linguistic literary literature logical look meaning narrative narrator nature never novel object original painting Paris particular pastoral perhaps person play poetic possible presentation problem production proper purely reader reading reality reference relation remains representation represents rhetoric roles scene seems semantic semiotic sense sequence signified signs simply soon speaking specific stage story structure stylistic suggest symbolic theory things tion tradition understand University whole writing